October 2007 Archives

Open discussion for comics from October 31

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It's new comics day! What are you planning to read, and what did you think about those books?

Here's the list of new books for October 31 from the Diamond website. Also, note that the Batman and Son set from DC Direct comes out today - if any of you pick those figures up, let us know what you think.

And finally, I've turned off registration for comments, since it seemed to pretty much dry up what had previously been a huge flow of comments on entries. You no longer have to log in or register to post your opinion.

About Heroes Episode 76

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This week, Brent Kossina, our most regular reviewer, joins us for a discussion of: Flash 233, Robin 167, Countdown 27, Tales of the Sinestro Corps - Superman Prime, What If Planet Hulk, Green Lantern Corps 17, Gotham Underground 1, Blue Beetle 20 and X-Men 204. We also read e-mails, and make jokes at each others' expense (you know, the usual).

About Heroes, Episode 76

Marvel Zombies 2 # 1 Review

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Writer: Robert Kirkman
Artist: Sean Phillips
Cover: Arthur Suydam

Hey Marvel Zombie fans, the sequel to the original series has arrived! The entire team responsible for the original Zombie series is back for an adventure set forty years after the conclusion to the original Marvel Zombies. The Galactus powered Zombies have literally eaten their way throughout the universe and find they are out of food. The Zombies have replaced their missing body parts and also added some new recruits to their ranks. These cosmic additions include: Zombie Thanos, Zombie Gladiator, and Zombie Dark Phoenix (which makes no sense, but this series isn't supposed to be taken that serious.) The Zombies remembers that Reed Richards had a machine that could transport people to other worlds, so they decide to head back to Earth. Zombie Thanos doesn't get to play though; Zombie Hulk makes quick work of "purple chin" and knocks his head off! The Zombies do stop for a snack before heading to Earth: Ego the living planet! This was very twisted and surprising, but that is what this series is all about!

Back on Earth, Black Panther rules over the survivorsof the original series. Black Panther's grandson finds the head of Hawkeye and takes the head to his grandfather. The people think since Wasp is functioning fine after fending off her hunger, maybe Hawkeye can be saved as well. The acolytes are getting frustrated in having to follow an old and decrepit king, and the threat of mutiny is looming large. One night as Black Panther and his wife sleep, an acolyte assassin stabs Black Panther. Wasp comes running in and realizes that in order to save BP, she must bite him. The bite takes effect and saves the Panther, but it also turns him. The Wasp loves the taste of meat and blood and attacks the Panther's wife, but T'Challa stops her and the two eat the intruder/assassin instead. BP realizes he and the Wasp must go back into containment facilities and wait out the hunger.T'Challa is a noble king and is still protecting his people despite the growing hunger. I feel that this can't end well and all hell will break loose soon.Meanwhile, the Zombies are headed towards Earth.

Thoughts/Comments:Well that was fun, but pretty much what I expected.This issue really felt more like a set-up to the next four issues. The only part of the book that really got my attention was when the Panther was bitten by wasp after being stabbed. Still, there were a lot of great and fun moments in the book. I loved Hulk knocking Thanos' head right off his body. The Zombies eating Ego the living planet was a hoot, and Hawkeye's head being found was pretty funny and a nice nod to the original series. I still have no clue how Zombie Dark Phoenix fits in, but as I said before this series has its own rules and continuity. The art was solid and the cover by Suydam was wicked! Kirkman retained his wit and humor and really made the zombies wacky and wild, just like before. I can't wait to see where the story goes and I have a feeling a second printing witha new Suydam cover will be available soon. I'd give this a B+ since it does a great job of setting up where the series will go from here.

Monday Manga Reviews: from Chess pieces to dead chicks that won't stay dead!

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Clamp No Kiseki Volume 8
Creators: CLAMP
Publisher: Tokyopop

If you’ve ever read manga or even heard about manga, I’m sure some time or other you have come across the work of CLAMP. CLAMP is an all female manga creator group from Japan. There are four members of this group: Mokona, Satsuki Igarashi, Tsubaki Nekoi, and Ageha Ohkawa. These ladies are responsible for such creations as Magic Knight Rayearth, Chobits, Angel Layer, Tsubasa, X/1999, xxxHolic, and Tokyo Babylon. They celebrated 15 years together in 2004 and these wonderful books with chess pieces were released in Japan for fans. Thanks to the great folks at Tokyopop these wonderful books are now available again in America. Since volume 7 the price of the collector’s item has dropped to $19.99 and they come inside of a blister card packaging. In this set you get a book about X/1999 in full color pages, interviews, 6 pages of brand new manga, and a timeline and family line of all the characters in X. Of course the grand price is really the three small chess pieces that come with this set: Shiro Kamui from X, Mokona, and Modoki. If you collect all twelve of the box sets you can have, the greatest chess pieces (in my opinion) ever made. These books are not just for fans of CLAMP, but toy collectors as well. A

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I’’s Volume 15
Story & Art: Masakazu Katsura
English Adaptation: Arashi Productions
Publisher: Viz

If there is one thing that I will always remember about Katsura, it has to be those gorgeous gorgeous covers. I can’t think of a time that his covers on DNA^2, Shadow Lady, or Video Girl Ai has not blown me away. He draws the most realistic beautiful women I have ever seen. Funny enough when you flip through one of his books, you can tell it’s still the same artist, but the pictures are done in a different style. Reaching for a Dream concludes the story of Ichitaka and his obsession over his classmate Iori. It seems that Iori now has her own personal stalker. There is a confrontation that takes Ichitaka out of commission and makes Iori realize that she is in love with him and that her dream happens to be his dream as well. As Ichitaka finally wakes up he gets all his strength to tell her how he finally feels about her. There is a sweet little ending as the book closes and I will really miss these characters. The downside is that there were some chapters that just dragged on for far too long that got in the way for character development. The art, as always is phenomenal and breathtaking. I really hope to see more of Katsura’s work in the US. A-

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Museum of Terror: Tomie Volume 1
Story & Art: Junji Ito
Translation: Naomi Kokubo
Publisher: Dark Horse

Now, from hearing our podcast last year about horror comics, you should know how much I love the horror comics genre. If there is one thing that the Japanese know how to do; is how to scare the hell out of me. There is nothing better than watching creepy things when I’m at home alone. I never really get creeped out by watching horror movies or ghost stories on TV. This past weekend in the spirit of Halloween I decided to read a few horror stories. One of the books was of course was Museum of Terror. It is pretty much a collection of short stories about a girl named Tomie. Where she came from or how old she is I think has become relevant. The only thing that is for certain is that you can’t kill the creepy bitch. She regenerates from a chopped up head or even her liver. There were times when I had to take a break, because I kept looking in the corners of my room. I threw the damn book one time from being just creeped out by the sick pictures. Ito really builds a mythos around this character and you start feeling bad for the cast of characters that runs into her. The art ranges from plain and clear to dark and gothic, but that is because the stories range from publications in 1987 to 1995 I can’t recommend this book highly enough to people that enjoy being scared! Trust me, this will do the job. A+

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Psycho Busters Volume 1
Story: Yuya Aoki
Manga: Akinari Nao
Publisher: Del Rey

So what would happen if after wanting to be left alone to play video games and read comics a naked girl appears in my bedroom? Obviously Kakeru and I have a completely different idea of what we would do. Of course there is only so much you could do with a naked astral projection….err anyways. It turns out that the girls name is Ayano and she takes Kakeru to the psychic’s hideout. There is a government group that is also after this special group of people. It seems that Kakeru might be a little more powerful than most people think. I don’t know what it was but the story really did very little for me. I really didn’t care for any of the characters and the story was just bland. The art is clean and very clear especially with all the action sequences. I think the best part about the book is the character designs. Funny enough I was reading Teen Titans and New X-men and couldn’t help but compare the books. I went into this book expecting a video game story retold through manga because of the name and cover and I was still disappointed. A group of powerful teenagers is an idea that has been done before and far better. I am willing to give volume 2 a chance though. C

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Reborn! Volume 1
Story & Art: Akira Amano
Translation: JN Productions
Publisher: Viz

I didn’t think that right after I finished the finale to the Sopranos I would be reading a book about the mafia in Japan. No, not the Yakuza, but the real Italian mafia. Looking at that cover, I really didn’t know what to expect from Reborn! I have never read a portrayal of the mafia, or at least one this extremely ridiculous. Due to some kind of family tree goof up by his great great grandfather, Tsuna is the only candidate left to become the Vongola family boss. Disguised as a tutor, Reborn is really there to prepare Tsuna for this task. He is also packing magic bullets such as the Deathparation bullet, that makes you face your own death and think of all the regrets you have, it makes you come back to life and give you the power to achieve your dying wish. For Tsuna this was just the simple task to tell the girl he has a crush on how he really feels for her. By the end of volume one he has recruited on soldier in Hayato Gokudera and made one enemy in the pint sized Lambo. I’m not sure who this story is intended for; if not for the guns I could see this being a kid’s story. The art is very comedic, but can be right down serious and grasp your attention when needed. I have mix feelings about the book, don’t get me wrong it’s good and I want to keep reading it, but I’m just not sure how long the charm will last. B

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The Yagyu Ninja Scrolls: Revenge of the Hori Clan volume 1
Story: Futaro Yamada
Manga: Masaki Segawa
Publisher: Del Rey

If you read my review of Basilisk you know I was a big fan of that manga. This is done in the same way and it’s just a different chapter in the Ninja Scroll chronicles. Think of this as Basilisk with different characters and unfortunately not as freaky or ugly looking designs. This story is about, you guessed it about revenge! The Seven Spears capture the Hori men and kill the Hori women in front of them. With the exception of seven young women that were saved by Princess Sen. They later take the men to be executed in front of Akinari, Lord of Aizu. The women swear to avenge their fellow Hori and under the tutelage of legendary swordsman Jyubei Mitsuyoshi this might be a possible task. I can’t put my finger on what it was, but the story just didn’t peek my interest like Basilisk. It may have to do with the fact that in almost every two pages in the first chapter there is nothing but footnotes, to inform the reader about everything in this era in Japan. And it could have been just me, but I really didn’t feel like reading a novel; especially when the title of the book has ninja on it. About halfway through the book I got really hooked on the story and started caring for the characters and Jyubei just screams out badass! Of course this is because of my previous knowledge of this legendary character! The art is just as solid as it was in Basilisk. The same foggy faded look is done with the CG backgrounds and the characters all stand out because of the great character designs. The first volume is just a set up to what I’m sure will be a bloody massacre in volumes to come. B+

Harbinger: The Beginning Review

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harbinger1.jpg This Review was submitted by Dennis Feeback

By Jim Shooter, David Lapham, and Bob Hall

The Scoop: This 192-page deluxe hardcover edition collects the full Harbinger origin story from Harbinger issues 0-7 digitally recolored and remastered, and also features an all-new "Origin of Harada" story written by comics legend JIM SHOOTER and illustrated by BOB HALL (Shadowman). This "Origin of Harada" story includes its own original cover and features the first appearance of a new character in the Valiant Universe! Valiant's goal is to make this deluxe hardcover edition something special for Valiant fans and a great introduction to the Harbinger saga for new Valiant fans. The book retails for $24.95.

The Package: The book has a really nice dust jacket featuring artwork of the main character and the main villain. Back cover has a description of the contents. The books cover is black with the Harbinger logo embossed on the front with the new Valiant logo on the back.

The book its self is pretty nice, it contains Harbinger #’s 0-7 completely recolored with the newest technology. This is the part I was most worried about before seeing the book, as I thought the colors on the original books were just fine and really unique for the time. However, I had nothing to worry about. It is recolored with more detail added; it is VERY faithful to what came before.

Now what didn’t I like? Not much. The only problem I had with the book at all was some of the pages were awfully rough. It felt like they didn’t have good materials to scan from. Issue 5 seemed to be the worst example of this. For a book that’s only about 15 years old, this just seems like the book was rushed. But really, this is just me nit picking.

Final Thoughts: I don’t think there was a bigger Valiant fan back in the 90’s than me. I loved and lived this stuff. I even went crazy and bought all the variants and gold covers. I was all about Valiant until Jim Shooter was canned.

Harbinger was one of my faves at the time, so it was nice to revisit the book again. It would be really nice to see more of these collections but due to the legal wrangling between two factions of Valiant this may never happen. This collection contains story lines that pretty much kick off the entire valiant cross continuity, so hopefully this can be followed up on.

As for the new 8 pager? Well, it was pretty good. In some ways it was like Big Jim Shooter never left. It certainly felt like a classic Valiant story. Jim slipped right back into writing Harada. But will this new character ever be seen again? Will Big Jim return for new Valiant comics? The answers to all these questions are unknown.

Final Rating: B. One letter grade was removed for the poorly scanned pages from the later issues.

Foolkiller # 1 Review

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Author: Gregg Hurwitz
Artist: Lan Medina
Colors: Andy Troy
Cover: Lan Medina & Matt Milla

It seems like if you were a fan of comics in the 90's right now you would be feeling really nostalgic with the return of New Warriors, Terror, and now Foolkiller. If memory serves me correctly and it usually does when it comes to comics. Actually that is about all my memory is good for anymore. This incarnation of The Foolkiller will be numero 4. I remember one being a Spider-man villain, one scarring his own face, and one that dressed up like Zorro without a hat. Funny enough the Zorro looking one is brought up in this issue.

If you are expecting an origins issue from the first chapter you are in for a surprise. Instead we are told the story through the eyes of a looser enforcer, Nate. He has an obsession with finding the vigilante after he gets his wife and little girl killed. He keeps getting his information from people that have seen the vigilante. This new incarnation of Foolkiller seems to have nothing to do with the previous name-bearers. What we get in the first issue is that there is a new vigilante out on the streets getting rid of, yeah you guessed it fools. In really grim death scenes, it seems they are really using that mature label, even with the lack of sex. It never really shows the Foolkiller killing anyone, just the aftermath of his work. By then end of the book Nate does come face to face with FK and his big, black, and meanass looking dog!

I really don't know where I stand with this book. I find the main character to be really annoying and I feel no sympathy for him. He practically handed his family over to the bad guys and they were killed because he decided to steal $40,000. The new Foolkiller himself doesn't really stand out as a great character, hell he seems like the Punisher, but with a few more extreme ways of handling stuff. I wouldn't even compare him to the Punisher, more like Solo. The story really doesn't stand out in any unique way; I could get this kind of story from any Steven Segal or other vengeance movies from the early 90s. The art is very fitting of the tone and feel that I got from the book. Now, I don't know where I stand because I really enjoyed his art, it made the book move so smooth; He really is the saving grace of this book for me. His facial expressions are done with fantastic detail. The story moves like a movie due to his fantastic angles and backgrounds. This is not a book for me, but I can see other people enjoying it more than I did. So if you’re into Fuck yeah action, horrible protagonists, gang raping, and guys breaking little girls' necks....this might be up your alley. D+

X-men # 204 Review

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Author: Mike Carey
Artist: Mike Choi & Scot Eaton
Colors: Sonia Oback

This is it. The epilogue to Blinded by the Light also serves as the prequel to Messiah Complex. It is also the ending of the Endangered Species chapters. With Beast coming to a conclusion about the end and the past, what’s going to happen to all the depowered mutants? Will Iceman be the only active member of Rogue's team? Will Gambit stay evil? Will I keep reading X-men even if Chuck Austen and Pat Lee take over the book?

If you were expecting answers to those questions, you won't find them here. Bobby is feeling guilty for the choices he made that led to Cannonball getting brain damage. Blindfold has more dark visions of things to come. Meanwhile Cyclops is trying to come to terms with losing his son.....again, while Emma tries to be understanding. The Marauders are trying to get the Books of Destiny out of Rogues head and Bobby confronts Scott about the future of the team. Ohh yeah and Scarlett Witch tells Beast a really pointless story that makes her possible role in Messiah Complex confusing.

Carey really shined in this issue and I can't point out what it really was but everything just read so well. It's been a long time since I've enjoyed an X-men comic this much. I have to say the best part about the issue was the confrontation between Bobby and Scott. Two original X-men arguing over Rogue's leadership abilities and whether the team should be shut down or not, brings back memories of the team hanging out at Harry’s. It really shows how much Bobby has grown from being the joker of the team to one that takes responsibility for his fallen comrades. I remember Professor X during the Inferno saga making a comment that Bobby could be the most powerful mutant, because he could freeze the world. I loved the interaction between Gambit/Rogue/Mystique, because you really don't know what is on their true agenda.

Mike Choi's artwork was the perfect choice for a story like this. I can see that he is growing as an artist. The older characters are now looking their proper age and I can actually tell the men apart. I think the only complain I have was his portrayal of Mr. Sinister. He looks too Vampire Lestat for me, but everything else looks fantastic. I wouldn't mind having him as a regular artist. Even though the ending of Endangered Species was very anticlimactic, with the exception of Beast burying all the victims of Neverland, I am still very excited about Messiah Complex. It's been a few years since a big X-over (I think Operation Zero Bullshit was the last one). It almost brings out the 12 year old in me looking at the upcoming covers for the cross-over. A

Gotham Underground #1

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Writer: Frank Tieri
Artists: J. Calafiore & Jack Purcell
 
This is the first issue of a nine-issue limited series about the Gotham Underworld after the death of Black Mask and with the villains dissapearing into Salvation Run.  In other words, it ties into stuff in Countdown, or at least this issue does.  Like any first issue, this one is all setup.  Batman is undercover as Matches Malone, infiltrating the iceberg lounge as Penguin schmoozes with Two-face, wearing a really ugly suit.  More villains show up, as does the suicide squad to cart them off to "Salvation."  Robin talks to Jim Gordon, who judges Robin's entrances and exits as "passable at best", while Nightwing breaks up an illegal gambling bar, while Tobias Whale makes his move on the Gotham gangs.  Frank Tieri doesn't really write anything here to make me praise or hate him, and J. Calafiore does the art with enough flair to make me pay attention to the panels.  His art is certainly different than anything else in the Bat-books now, but there's nothing here to say that he's the definitive Bat-artist for this year (to me that's still Don Kramer).  I'll try the next couple of issues to get a better feel of the story that Tieri is trying to tell, but I can't say that I'll definitely be sticking on for all 9 issues after reading just this one.  So, to sum up and quote Commissioner Gordon, this issue is "passable at best." C

Action Comics #857

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Writers: Geoff Johns & Richard Donner
Artist: Eric Powell
 
This issue was a little better and took me longer than 10 minutes to read.  It may even warrant a re-read later on, but the first two books certainly didn't.  This issue, like the last, is an all-out battle on Bizzarro World.  Superman is trying to get Pa Kent off Bizarro World after he had been kidnapped by Bizzaro (Don't ask).  The Bizzaro JLA show up, but only for 5 pages.  The rest of the issue focuses on how the rather cool way that Superman makes Bizarro a hero on his own world.  Bizzaro was hated by Bizarro world (dont' ask), so he wanted to destroy it, but here Superman helps him save it, but only after Pa Kent has to goad him to.  This issue also features the debut of Superman-vision (don't ask) which I hope never makes an appearance again.  Eric Powell finishes out this arc, and it's nice to see that there is an artist out there on a Superman book who can finish an arc without it being finished in the Annual.  Carlos Pacheco I'm looking at you, as well as one of them Kuberts.  Powell's art really only works for this type of an arc.  I think if he were to do a non-Bizarro Superman story a lot of it would fall flat.  He has all the energy that is needed for Superman, the iconic poses and all that, but he's certainly suited for stranger stories.  Bring on Gary Frank next issue, which I think comes out next week?  Won't that be great.  It looks like DC is trying to win us back from this book's lateness more recently.  C+   

Tales of the Sinestro Corps: Superman-Prime

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Writer: Geoff Johns & Sterling Gates
Artists: Pete Woods & Jerry Ordway
 
Another Sinestro Corps tie-in worthy of your money.  This time it's Superman-Prime, formerly known as Superboy-Prime in Infinite Crisis.  This book focuses on Superman-Prime as the Green Lantern books have been ignoring him.  This issue is all battle and flashbacks.  Superman-Prime lands on earth, takes on the heroes in an epic battle penciled by Pete Woods and interweaves his story with Jerry Ordway art.  We see how he lived on his earth, how he got roped into the Crisis, and his corruption by Alexander Luthor.  Now he's out to reclaim the Earth, and make the Anti-Moniter bow in his wake, after the Anti-Moniter has taken over of course.  Johns uses a cool story point that Superman-Prime is still wearing his energy collecting suit, and thus is collecting the Yellow Sun after being imprisoned in that Red Sun on Oa for over a year.  The heroes stand more of a chance against him since he's not at full power yet, making the battle less outrageous.  It gives the heroes a chance, at least until the sun rises in a great scene.  Also, Risk appears again, can you guess what happens to him when he tries to take on Superman-Prime again?  That was the best moment of the book, even if there was som deja vu going on. 
 
The second story is a backup where Lyssa Drak tells the story of another of the Sinestro Corps members to some Green Lanterns.  It's written by Sterling Gates with art by Jerry Ordway, it's ok, not doesn't trump anything Johns did in his Sinestro Corps back ups with Dave Gibbons.  This was a really good read and it fits in nicely with the stories in Green Lantern and Green Lantern Corps, as they are focusing on Hal and Guy and not the villains all the time. Pete Woods finally is doing art with a good story after Amazons Attack! He does a great job here, and seems to work well with Johns and Superman, just see their great Up, Up, and Away arc.  Go grab this book if your curious about what Superman-Prime has been up to after Infinite Crisis or are enjoying the Sinestro Corps War, you won't regret it.  B+

Aboutheroes Comic 05

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Because Nobody Demanded it aaaand because I had a long meeting that I was supposed to be paying attention to and taking notes. Anyway I wanted to do something a little different this time around. So I hope you enjoy my own MARVEL VS. DC moments.
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Comics from October 24 - open discussion thread

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Here's what I'll be reading this week; what are you looking forward to?

Blue Beetle 20

Superman 669
  • ACTION COMICS #857
  • AUTHORITY PRIME #1
  • BLUE BEETLE #20
  • COUNTDOWN 27
  • COUNTDOWN SPECIAL THE FLASH 80-PAGE GIANT
  • FLASH #233
  • GEN 13 #13
  • GOTHAM UNDERGROUND #1
  • GREEN ARROW YEAR ONE #6
  • GREEN LANTERN CORPS #17
  • JLA CLASSIFIED #45
  • ROBIN #167
  • SUPERMAN #669
  • SUPERMAN BATMAN #41
  • TALES OF THE SINESTRO CORPS SUPERMAN PRIME #1
  • TEEN TITANS #52
  • UNCLE SAM AND THE FREEDOM FIGHTERS #2
  • WALKING DEAD #43
  • ANNIHILATION CONQUEST WRAITH #4
  • CABLE DEADPOOL #46
  • DAREDEVIL #101
  • SHE-HULK 2 #22
  • ULTIMATE SPIDER-MAN #115
  • X-MEN #204
  • X-MEN DIE BY THE SWORD #2
  • X-MEN FIRST CLASS VOL 2 #5
  • HACK SLASH #5
  • TRANSFORMERS DEVASTATION #2
  • TRANSFORMERS MEGATRON ORIGIN #4

She-Hulk # 22 Review

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Author: Peter David
Penciler: Shawn Moll
Inker: Victor Olazaba
Covers: Mike Deodato Jr. & Ed Mcguiness

Preparing myself for this issue, I caught up reading She-Hulk 1-21 by Dan Slott. I remember enjoying the 12 issue run that Slott wrote, before it got canned and damn, is the ongoing series just as fun! Sure some of the guest stars were completely written out of character. But seriously who took this book that seriously? Nobody! And that’s what made it so damn flawless. Instead of cancelling the title when Slott left, veteran writer Peter David has stepped up to try to fill that gap that most people will miss. Of course he is no stranger to the Hulk family at all.

I can safely say that Peter David has decided not to write Slott's She-Hulk, instead giving Jennifer Walters a whole new status quo and a leap in time a few months. That in my opinion is Peter David’s most wise decision. Some other writer might have tried to imitate Slott's writing and it would have been disastrous. I think distancing himself from Slott's work is the best approach. I am a bit upset that after all the trouble that Slott went through to get Jenn back to law, she is now a bounty hunter. But, I guess that it makes more sense than her being an Agent of SHIELD. Lately the villains had been pulled from other Marvel books, so it was nice to be reminded that She-Hulk also has a great rogue gallery.

The big trouble is there’s no real flow here from last month’s issue to this one. Nowhere in the book was it mentioned that we were skipping ahead a few months. Hell, if you didn't read any interviews with David you might have been a little lost at first, but I would like to think most people could have figured it out. David has promised that he will fill in some of the blanks later. That’s fair enough, but it does make this book feel rather disjointed and it might turn some readers off if they didn't know his agenda.

I was never a big fan Rick Burchett's art work. I thought it was too dull and just bland because despite the humor, She-Hulk is still a super-hero book. So, Shawn Moll’s artwork is a big improvement. Moll has a more detailed and has a more traditional style. The art really comes alive visually and the action is top notch. Sure he's not the greatest artist and still has plenty of bolts to tighten up, but I think he really flatters David's script. The new direction is simple, but I can see it working down the line. Peter David is more than capable of sending the character in a bold new entertaining direction. I mean seriously if you've gotten into the character by now, it really won't kill you to stick around a few issues to see where the direction takes us. B-

Crying Freeman Manga Review

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Story: Kazuo Koike
Artist: Ryochi Ikegami
Translation: Kumar Sivasubramanian
Publisher: Dark Horse

You might recall that during the ending of our manga podcast I briefly mentioned the name Ryoichi Ikegami. I was specifically talking about his work on Crying Freeman and Sanctuary. This put the idea in my head of going back and reading all those comics that I had from Viz back in the day. Then I noticed that just recently Dark Horse had released 5 omnibus trades collecting the series uncut in its original right to left format. I know the wonderful job they have been doing with the Gun Smith Cats trades, so I was really excited about reading them like this for the first time.

If you’ve ever heard anyone talk about manga then the name Kazuo Koike should ring a bell. He’s the writer of such great works as Lone Wolf and Cub, Samurai Excutioner, and Lady Snowblood. Funny enough, he also did the Hulk manga back in the early 70’s in Japan. Ikegami is also a popular artist in Japan and once you take a glimpse at his artwork you can understand why. Most of his work has been translated here in the States such as: Mai the Psychic Girl, Sanctuary, Strain, Wounded Man, and Offered. Even Marvel released the Spider-man manga that he drew back in the 70’s. This story is different than any other Koike stories I have read, because it’s set in a modern era (of course this book was originally published in 1986).

This story begins with a bang! Literally as Emu Hino, a 28 year old artist witnesses two Yakuza (Japanese mafia) hits performed by the same assassin. The assassin cries after he kills his targets, and it's this moment of vulnerability that Emu focuses on so much so she develops an unhealthy fixation on him. When I say unhealthy, she wants to lose her virginity to him before he kills her on her 29th birthday. Because she knows that once an assassin tells you their name, you become the next target. She starts painting portraits of his crying face litter her studio. Instead, he ends up falling for her and eventually they get married. We learn that his name is Yo Himomura and he is an assassin for the 108 Dragons, the Chinese Mafia. But to most in the criminal underworld, he is known as Crying Freeman, the killer who sheds tears after he kills his victims. Yo was once an up and coming pottery artist, until he got hold of some negatives that the 108 Dragons wanted back. However, thinking that he was doing the right thing he sent the negatives to the police. In retaliation, the 108 Dragons kidnapped him, used put post-hypnotic suggestions to turn him into the perfect assassin. He was trained and then set loose under their control. He has lost all free will and that is the only thing he wants back, hence the codename: Freeman.

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As the story unfolds, Yo has become used to the idea of being an assassin and now does it willingly. After Yo and Emu get married they have to destroy their past and old identities. Emu is now known as Fu Ching Lan, the beautiful "Tiger Orchid." And Yo, now Long Tai Yang “Sun Dragon" is set to become the 108 Dragon’s new leader. But as usual some people are not best pleased with this, and there are plenty of murders, kidnapping, and violence. It’s funny to see how Freeman uses his body as an instrument against women. Deadly enemies such as Bai Ya Shan, Dark Eyes, and Kimie become allies after falling or sleeping with Freeman. He reminds me a lot of Batman in that way. Apparently, I’m not the only one that seems to think so as you can see here . Koike really tries to get the point across that you can’t trust anyone in the underworld, but if you have a giant dragon tattooed on your body and have a certain aura, women will just fall on their knees….not a bad idea. The latter two volumes have more adult elements than the first three. There is kidnapper that gets off on watching Freeman fight and some really disturbing scenes with her masturbating while her body is being blown up. In the Journey to Freedom, Freeman begins his long path to freedom by indirectly taking on all of the remaining underworld powers of Japan. I felt the end of the series was a bit rushed or maybe it was me just wanting some more Freeman action!

I can say that the shrink-wrapping and parental advisory sticker speaks honestly of the manga's content rather than being a bloated attempt to look cool like some other comics out today. I’m not one to usually complain but sometimes I feel the pornographic scenes and extreme violence come out a little pointless. We have grown people just walking around naked all the time. I also love the fact that not even once do we see Freeman work out and stay so buff. I guess he just works out the ladies and the bad guys. So yes plenty of extreme violence, which leads to my other minor gripe during sexual acts, an erect penis, or a woman opening her legs in anticipation of pleasure and bam we get whiteout, or ridiculous shading, or even pixilation. That is some weird censorship! I guess you obviously get the idea that the characters are having sex, but it’s strange that some things are censored. But, let me clarify, these minor gripes take nothing away from the fantastic story.

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The main thrust of this series is really the story of one man forced into dark practices and his consequential guilt. The characters were unique and would lure me to keep turning the pages. I couldn’t put the book down and the entire book remains utterly compelling from cover to cover. The plotting is mature and complex and its artwork reflects this effortlessly. I really don’t do Ikegami’s work justice by talking about it. It’s so fluid, so lifelike, so beautiful, so detailed, and so damn perfect. The great thing is that which each volume you can also see him evolve that art style to perfection. The bottom line is that for 15 bucks where else are you going to get 400 pages of great ass kicking action? It is so great to have these books reprinted and it was great to re-read them again after so many years. I highly recommend this great series and I promise whether you read manga or not, you will be hooked. A-

Marvel: One More Delay

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"One More Day" just hit one more snag.  One More Delay.  Marvel just released a press-release giving new ship dates for the last two parts in the "One More Day" storyline. Sensational Spider-Man #41, originally scheduled for 10/31/07 (next wednesday) is now shipping on 11/28/07.  Amazing Spider-Man #545, originally scheduled for 11/28/07 is now shipping on 12/27/07.  Basically they pushed it back a month.  Wasn't this thing supposed to originally start in August or September and be semi-weekly?  As in, we got all four parts in about a month?  Wait, wasn't that supposed to happen with Fallen Son as well?  I remember them anouncing Fallen Son as a weekly event in April but it got delayed to ending in the summer with 3-5 weeks between issues.  What is up with Marvel?  Why can't they seem to plan correctly?  I'm not pointing in any fingers at Joe Quesada on the art side, because he probably already finished his part, especially if part 3 was supposed to come out next week.  No, I'm thinking this has more to do with Brand New Day and the rotating teams.  Steve McNiven couldn't finish Civil War on-time, Phil Jiminez couldn't do Infinite Crisis by himself, who else to they have on Amazing Spider-Man that's been habitually late in the last year?  Wait, wasn't Brand New Day supposed to start in the beginning of December?  Guess not anymore.  Why couldn't Marvel just get a whole lot of shit done before announcing and scheduling the project?  You're telling me you kicked Roberto Sacasa and Peter David off their books so that JMS and Joe Quesada could take over and delay them?  I'll bet my comic collection that Sacasa and Peter David had at lease one or two more Spider-Man stories to put in the books they launched while we waited on this delay.  Did Marvel think of that? No.  If it had come out on time they could've put the David and Sacasa stories in an Annual or one-shot.  Obviously, this reeks of poor planning on Marvel's part.  Should I even mention that DC has had back-up stories ready for Superman, Action Comics, and Wonder Woman in the past year?  No?  Too late.  Ugh.  This is why I'm a DC fan primarily, because Marvel continually lets me down.  At least Punisher War Journal and the Order come out regularly.  Thank you Matt Fraction.  Oh and New Avengers too.  Thank you Lenil Yu and your superfast ninja drawing skills.

Original Story: http://www.newsarama.com/general/JunotDIaz/OMDDelays.html 

About Heroes Episode 75

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Reading your e-mails, really, really quickly; we got a lot of great feedback on both our Heroes episode and the Fabian Nicienza interview, thanks! Also, we hit on some new books, including Death of the New Gods 1, New Excalibur 24, Justice League of America 14, The Sword 1, Wolverine Origins 18, Countdown 28 and Catwoman 72, along with a few others.

About Heroes, Episode 75

Here is the submission that Keith Robinson(Powerbomb1411) is sending to image. Good luck Keith!

Monday Manga Reviews: Bleach, Exaxxion, Naruto, Evangelion, Mermaid Melody, and Shakugan No Shana!

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Bleach Volume 21
Story & Art: Tite Kubo
English Adaptation: Lance Caselman
Publisher: Viz

After the Soul Society story arc that lasted for over 15 volumes do you think that Kubo is going to let Ichigo and co. rest? Hell no! We get back to business. Everyone but Rukia returns to the land of the living to get back to everyday life and Ichigo is given a deputy pass to return to Soul Society whenever he pleases. Everything is quiet for about a chapter and then we are introduced to the new kid in class Shinji Hirako, who happens to be a Vizard (Soul Reapers that have become Hollows). There is also a new threat: The Arrancar (Hollows with Zanpaku-tos). Believe it or not, this book has two big revelations towards the second half: The return of Ishida’s father and the unearthing of Ichigo’s father as a Soul Reaper. I can’t believe that this book is still this fun and I every time I can’t imagine the plot getting better; I am proven wrong with some great chapters. Sure Kubo isn’t a master story teller, but he sure can deliver one damn good story. A

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Cannon God Exaxxion volumes 1 & 2
Story & Art Kenichi Sonoda
Translation: Dana Lewis & Adam Warren
Publisher: Dark Horse

This is what Kenichi Sonada was doing during his big break from Gunsmith Cats and let me tell you, this is nothing like GSC. Hoichi “Gun” Kano is the Grandson of the world’s famous inventor Hosuke Kano. He is also a student at Howa High School in Musashino City, Japan. For the last 10 years Earth has been in contact with an alien race knows as the Riofaldians. At the tenth anniversary of first contact with the Riofaldians, an Elevator Ship is unveiled and designed for orbital transport to and from the Riofaldian home world and Earth. However, this was just a ploy to take control of the Earth, using their advanced technology and large Riofaldian work force on Earth to their advantage. It is now up to Hoichi, with the help of Hosuke an old scientist famous for his anti-Riofaldian stance), Akane (his friend from highschool), and Isaka (a humanoid created by Hosuke). You can tell that Sonoda borrows heavily from old science fiction movies for his concepts and designs. The robots are round and metallic and are void of any contemporary mech-and-tech design found in today's big robot movies or today's manga. The sixties black and white flick, The Day the Earth Stood Still, is the chief influence on this manga in both story and design. Not a bad choice for primary influence but I was very surprised at the lack of innovation and original ideas in Sonoda's tale. I have faith that Sonoda will be able to keep me entertained. C+

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Naruto Volume 17
Story & Art: Masashi Kishimoto
Translation: Mari Morimoto
Publisher: Viz

First Bleach and now Naruto, I really can’t get enough of these Shonen Jump title. The price of eight bucks a pop makes this even better. Just in case you aren’t aware of what Naruto is…think Harry Potter with Dragon Ball Z (sort of). Naruto is the story of a young teenage orphan trouble-maker, who is desperate to become the greatest ninja in his village. He goes through all kinds of adventures, slowly maturing, but always willing to compete against his arch-rival Sasuke. Whilst Naruto’s mischievous nature gets him into a lot of trouble, his determination to become the best is unsurpassable. Unfortunately though, Sasuke seems to be top of the class in everything, and will be an incredible opponent to better. In this volume we get a glimpse of Sasuke’s past with the appearance of his older brother, Uchiha Itachi. This is the guy that killed his own parents, because he couldn’t let anything get in the way of perfecting his techniques. The artwork in this manga is fantastic, with great detail on every single character, and an impressive selection of background features that perfectly blend in with the surroundings. The story is excellent and engrossing, catching the reader’s interest immediately, and constantly improving with each chapter. Due to the brilliant way it is done, it is incredibly hard to stop reading this book. They keep pumping out three volumes a month and it’s hard to not buy them all. A

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Neon Genesis Evangelion Volume 10
Story & Art: Yoshiyuki Sadamoto
Original concept: Gainax
Publisher: Viz

I can’t believe it’s been 10 years since I saw Evangelion. 10 years since this series changed the way I looked at anime forever. Granted I had been watching anime for 20 + years now, but nothing moved me quite the way Evangelion did. The manga dives deeper into the story than the anime could. The artist Sadamoto was the lead character designer on the anime and is the perfect artist for this book. After two years since volume 9 came out, Sadamoto finally completed the 10th volume of the series and I hope we don’t have to wait as long for the final two volumes. Volume ten picks up right from the middle of the battle with the Angel Armisael, when tendrils from the being seize Unit 00 and try to assimilate the pilot, Rei Ayanami in a very disturbing scene. Ready to launch, but left on the pad is Shinji is Unit 01, pleading his estranged father, Gendo Ikari, to let him go into the fight to help Rei. Already on the scene and also under attack is Kaworu Nagisa, the mysterious Fifth Child, who through internal monologues hints he can defeat this angel, but will not show the power he possesses to do so yet. Sadamoto has taken the reins in clearly explaining some of the mysteries with more background stories and more dialogue, while remaining true to the essence in an almost shot for shot and word for word of the series. I can’t believe how much I really love Evangelion until I read this series and it makes me realize how much I have missed the characters. A

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Pichi Pichi Pitch: Mermaid Melody volume 7
Story & Art: Pink Hanamori
Scenario: Michiko Yokote
Publisher: Del Rey

After seven volumes the story finally comes to a conclusion. Well, the story’s main battles really ended with volume 6, but it’s in this volume that you learn the fate of the characters you have been reading about. The big story is of course Lucia’s destiny. When she becomes ill with fever, it is at last revealed just when the real first time she met Kaito was. It laid the groundwork for her future, but she had no idea how big that future would be! A startling turn of events will seal her fate once and for all. Don’t fret though, this has been a warm and fun manga throughout so don’t worry about anything too angst ridden. This is a series about princesses and happily ever after endings. The layout of this manga is great. Pink Hanamori goes into a lot of detail with regards to the characters of this manga. She writes about their backgrounds and personalities as if they were real (basing some of the characters in this manga on real people helps to achieve this) and she happily elaborates on some of the finer points of the storyline. The detail is really apparent and makes a very big difference to the way this manga develops. Without so much depth, the story wouldn’t be anywhere near as interesting. There are also additional stories in the final volume. Something kept me reading the book so the author was doing something right. I was a little confused at times, but nothing that kept me from enjoying the story. B

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Shakugan No Shana
Story: Yashichiro Takahashi
Art: Ayato Sasakura
Character Design: Noizi Ito
Publisher Viz

Yuji Sakai, a high school student, expected his very normal life to last forever. However, this expectation is quickly shattered one day while on his way home. The world suddenly freezes in time, leaving Yuji to watch in horror as blue flames engulf the people around him. Soon a monster resembling a large doll appears and begins sucking the flames into its mouth, until it notices Yuji. Surprised with Yuji's insusceptibility to the time-stop (fuzetsu), it jumps with glee. Just about Yuji is about to be devoured by the creature, a sword wielding girl with shows up. She introduces herself as a Flame Haze who now goes by the name of Shana. I have to say that I was really disappointed in this book, because the whole story is rather hard to follow and it can get real confusing. The art is really full of energy and Sasakura can show great facial expressions and still handle some fantastic art sequences. But like I said with a cover like that I was expecting something else and was disappointed with how the story played out. C

Friendly Neighborhood Spider-Man # 24 Review

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Writer: J. Michael Straczynski
Artist: Joe Quesada and Danny Miki
Colors: Richard Isanove
Cover: Quesada and Isanove

One More Day continues in this final issue of FN Spider-Man. The issue really felt kind of like a repeat of what has been going on with Peter and May for the last few months, but there was a very nice continuity treat in this issue. So why this saga promises to pretty much destroy the Peter/MJ marriage, the story still hasn’t pissed me of quite just yet.

Spidey decides to go and visit Dr. Strange in hopes of finding a way to save May. I’m a bit confused why Peter goes to push the doorbell considering he is a member of the New Avengers and should already know how to get inside. Anyway, Peter tells Dr. Strange what has happened to May and he is desperate to do anything to save her life. (We know Peter, you have been saying that over and over for months now!) Dr. Strange explains dying is a part of the natural order of the universe, and that cannot be stopped, changed, or interrupted no matter how noble the cause. Dr. Strange summons the hands of the dead to let Peter go and visit multiple places in our time, hoping to find some information. Peter visits friends and foes alike in seeking a cure for May. Among some of those he visits: Storm and Black Panther, Reed Richards, the Beast, Dr.Doom, Dr. Octopus, Morbius, Dr. Curt Conners, the Night Nurse, Dead Girl from X-Statix, and a few more. However, they all tell Peter the same thing: there is nothing they can do to help May. She is going to die, and Peter will have to live with that guilt.

After returning to his normal body, Dr. Strange goes to get Peter a drink while he recovers from traveling the space/time continuum. Peter is not ready to quit, and uses Latin to recite a spell to send his astral form back in time. He reaches back to Amazing #538 where the Civil War crossover ended. He cannot stop the sniper but tries to warn himself from going into the hotel room. The Peter of that time stops, almost sensing his astral form (Yay, continuity!) and May ends up getting shot anyways. Then the nightwalkers arrive, beings destined to protect the space/time continuum and prevent anyone from altering their destiny. They injure Spidey, biting him with their mystical chompers.

Dr. Strange arrives to help the injured Spidey, taking him even farther back in time when he wasn’t at his Sanctum Sanctorum. Dr. Strange puts Spidey in a room as his injuries heal, when a knock is heard on the other side of the door. Spidey recognizes the voice: it’s his own! No, we aren’t talking clones. This is a scene from early in the Straczynski run, from Amazing Spider-Man volume 2, issue #42 where Spidey fought the Shade who was abducting homeless kids off the street. The dialogue is the same and it really ties up a loose end from years ago. Back inside, Dr. Strange and Spidey return to our time, and the good doctor tells Peter to go be with May in her final hours. Hold her hand and be with her is the doctor’s advice, but Peter isn’t ready to stop just yet. Outside, Peter remembers Dr. Strange’s words and is lured to a small girl offering to help him out. The girl looks like a young MJ, and I’ve got a feeling she is evil. This can’t end well.

Thoughts/Comments:

Not bad considering this saga is totally going to undo something I love about Spider-Man and his history. Let’s start with the good, the art was beautiful! Quesada is the man when it comes to art, and I loved how he drew Dr. Strange and all the magic going on. Second, the nod back to issue #42 was really kick ass. It makes the original story all the better knowing that Peter is also on the other side of that door. The nightwalkers were cool looking and made for some very cool visuals. OK, on to the bad. This issue still felt like a repeat of what we already know: Peter wants to save May; no force on Earth will stop him. WE GET IT ALREADY! Geez, how many times has this been said in the past 4 or five issues of Amazing Spider-Man? The double page spread of Peter visiting friends and foes was really cool, but this issue still felt kind of slow. The little girl at the end is probably Loki or Mephisto in disguise, which will end up somehow undoing the marriage in order to save May.

Notice the red bird flying around in part one and this issue? Probably means something evil is about to happen. I also wish there was some kind of letters page in this issue thanking Peter David for his work on this title since this is the last issue. Also, can we please have MJ in the story a bit more? If this is their final story as husband and wife at least give her a bigger part in the story. I’m still intrigued on how this will end, but this issue gets a B- from me. Hopefully part three will pick things up.

Transformers: Two Disc DVD Set Review

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Written by: Roberto Orci and Alex Kurtzman
Directed by: Michael Bay
Starring: Shia LaBeouf, Megan Fox, Josh Duhamel, Jon Voight, Rachel Taylor, Peter Cullen, Hugo Weaving, etc.

My all time favorite movie of 2007 hit DVD on Tuesday. Yes fans, Transformers have finally made it to live action and the DVD is pretty amazing, much like the movie itself. Now before I start this review, this is for the two disc DVD set. There are various different sets out there at different stores with many various special features (Transforming DVD Case, Transformers Beginnings Bonus Disc, etc.) to choose from.

The story of the movie itself is pretty straightforward. The powerful allspark has ventured to Earth. The allspark is the source on unlimited power and both the valiant Autobots and the maniacal Decepticons are seeking this energy source for their own purposes. The allspark is basically kind of like an updated source of energon or maybe even a pumped up version of the matrix from the 80’s animated series.

The allspark landed on Earth many years ago, and is now hidden in a secret military base monitored by the government. The movie begins with an attack on a military base by a Decepticon soldier. This leads to the military becoming aware of these strange beings arriving on Earth, and Frenzy, another Decepticon warrior is assigned to find information about the allspark. This scene comes into play later as the President and his crew flies aboard Air Force One. This sets up all the military involvement in the film along with the computer analysis experts Maggie and Glenn. I don’t want to talk much about the humans and military in this review though, because I’m more into the Transformers themselves. So that’s as far into the military stuff in this movie I want to mention for now. Anyways, the story is basically about Sam Witwicky.

Sam is a high school student who is about to buy his first car. Little does Sam know, the car he ends up with is the heroic Autobot soldier Bumblebee. Sam is in possession of a pair of his grandfather’s glasses.
The glasses have the encoded location of where the allspark resides on Earth. Sam’s grandfather came in contact on an icing expedition years ago which led him to come face to face with a dormant and frozen Megatron. Megatron scanned the glasses belonging to Sam’s grandfather with the location of where the allspark is hiding on Earth. Sam eventually begins to befriend Mikaela who becomes involved in this entire adventure. Sam and Mikaela eventually find out Bumblebee is a robotic alien who is trying to find Sam’s glasses and protect them from further Decepticon attacks. Bumblebee summons Optimus Prime and his fellow Autobots by shooting a signal into the stars.

trans2disc3.jpg When the Autobots arrive on Earth, they take the form of various vehicles and explain to Sam that they need his grandfather’s glasses. Optimus describes what the allspark is, who Megatron is, and how there are already Decepticon forces on Earth. The entire group goes to Sam’s house to find the glasses, but the military has to get involved once again.

The sector seven main agent eventually takes Sam and Mikalea into custody, and Bumblebee is also taken prisoner. Optimus and crew decide not to intervene in freeing Bumblebee right away and vows that they will protect the humans no matter what. Later on, the government becomes involved with sector seven and everyone realizes that Sam has been in contact with the Autobots and realizes what is going on. Sam and everyone is taken to a secret location where the frozen body of Megatron resides. They also reveal they have the allspark and are keeping it hidden at the Hoover Dam. But like all action movies, hell quickly breaks loose. Megatron is unfrozen, the Decepticons rally and the Autobots roll out. The military and the Autobots do their best to defend the city and humans from a massive Decepticon attack. Sam is given the allspark after it is shrunk down by Bumblebee and he has to make his way to a nearby rooftop. This is a great moment in the movie where all the Autobots and Decepticons fight one another, with the military doing their best to help. Mikaela even hooks the injured Bumblebee up to a tow truck and drives him around, letting him continue to battle despite being blown apart earlier in the film. The real treat of this scene comes in a certain line of dialogue delivered by Optimus Prime, “By the end of this day Megatron, One Shall Stand and One Shall Fall!”

Sam continues to make his way to the rooftop to hand the allspark over to the military in a helicopter.
Megatron is still after Sam, finally confronting the boy on the rooftop. Sam stands strong, refusing to give in to Megatron’s demands. Optimus comes and saves Sam, and Optimus finally tells Sam to shove the allspark into his chest. This will kill Optimus, but it will keep the allspark from falling into Megatron’s hands. Sam realizes that if he kills Prime he will only break the hearts of millions of Transfans once again, so he shoves the allspark into Megatron’s chest. With their leader down, the other Decepticons run away or are defeated/destroyed. By movies end, Sam and Mikaela are about to do it on Bumblebee in vehicle mode with the other Autobots watching. Optimus broadcasts a message to the stars telling his fellow Autobots to come to Earth and help them protect their newly adopted world. This leaves the door open for a sequel, and do any of you other fans really think Megatron won’t be back? All they did was dropping him into the ocean, he can totally come back!

Thoughts/Comments:
The DVD itself is OK. The packaging is very plain. On one side is a picture of Optimus, the other side has a picture of Megatron. But the background is white and not very cool looking. The single disc DVD has a much better cover in my opinion. On disc one, the movie is available for play and there is commentary by Michael Bay. Disc two has three different selections. The first selection is called “Their World” and it has four featurettes about the humans involved in the film. They talk about how the military was involved and how Bay loves the military. There is another feature talking about how they cast Sam, Mikaela, and other human characters in the film. They talk to Steven Speilberg about his love for TF and why he wanted to make this movie. This stuff is OK, but I’m really more interested in the robots.
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The next part of the DVD is called “Their War” and features lots of stuff about the Transformers themselves. The best featurette is called Rise of the Robots and talks about the G1 cartoon, how it originated in Japan, how the producers and stars loved TF in their younger days (Shia even mentions the original 1986 animated movie! They even play the theme song to the movie as he talks about it!) and they even show Peter Cullen doing some voice work for the film.

The next part deals with the Autobots and the vehicles used for their earth forms in the movie. Sadly, they don’t mention Cullen or interview him for this segment. The next featurette is about the Decepticons and it is pretty much like the Autobot one in showing which military vehicles were used to bring the cons to life in the film. The final featurette is about the allspark and other elements used in brining the robots to life.
The last part of the second disc is called more than meets the eye, and it is really just showing how they filmed the Scorponok desert attack scene. There is some cool concept art shown, and also a few trailers for the film. The bonus disc is cool, but I wish there was a bit more about the history of the Transformers cartoon in here. I wish they talked to Peter Cullen more, and a music video or two would have been nice.
Also, Wal-Mart sold the single version of the film with a bonus disc called Transformers: Beginnings that was narrated by Peter Cullen. I bought the double disc set and it didn’t have this feature on it. This feels like a kick in the pants to TF fans who wanted all the bonus stuff with their film.

In the end, I give the film an A+. It really was incredible both story wise and computer animation wise. Having Peter Cullen and nods to old TF fans was just icing on the cake. The DVD set however was a bit of a let down, earning it a B-. I’m sure there will probably be an extended DVD set come out later on before the TF sequel hits in 2009 though. So anyways, go buy this movie! You will be glad you did!

Spider-man 4 confirmed! Sam Raimi not so much :(

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I know we are not a news source, but sometimes I hear things that just has to be brought up. I can deal with Dunst not coming back, but Raimi is almost a must for the formula to work. This was posted on IMDB:

"Spider-Man is returning for a fourth installment of the superhero franchise, but without director Sam Raimi in the director's chair. Raimi directed the first three movies and co-wrote 2007's Spider-Man 3 - but the filmmaker is stepping back to let someone else create their own vision for the web-slinging adventure. He tells MTV.com, "Right now, a writer is being sought to write the next installment. We're in the very early stages. I won't be working on the story. It'll be a brand-new writer coming in with a brand-new story - a fresh take on the Spider-Man series. We're hearing different versions right now and really enjoying the different stories. Hopefully, we'll hear one that sounds right for the fourth installment." When asked if would produce the movie, rather than direct, Raimi replies, "Yes, that's right. In this case, it's more in the writer's hands. I'm going to let the writer envision where Peter Parker would go to next."

Maybe they'll get Joel Schumacher or Brett Ratner on the project!

Death of the New Gods #1

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Writer: Jim Starlin
Artist: Jim Starlin & Matt Banning
 
Attention new readers, this is not the comic for you.  Go read up on Wikipedia about the New Gods, read the Fourth World Omnibus', and then return to this book if you dare.  I'm no expert but even my average knowledge of the New Gods didn't help me much in reading this book.  I know what the Anti-Life Equation is, who all the main players were, and the basic gist of the New Gods concept but reading this book I still felt utterly lost, like I was missing a major piece of the puzzle. Jim Starlin writes this cosmic tale and fills it with little or no action, setting up whatever may be to come with musings from Darkseid and Metron about how something is amiss in the Universe.  We're told that New Gods are dying, but there is no disturbance in the Source whenever they die.  Newer readers may not know these concepts and Starlin makes little attempt to give newer readers any background.  Older readers may welcome this lack of expository dialougue but for a first issue that's supposed to attract new readers this issue could definately use some. 
 
There is a small bit with a hologram of Highfather (who died?) explaining the origin of New Genesis and Apokalips and his finding of the Source, but there is nothing about the Anti-Life equation, what it does, or who posesses it.  Apparently Darkseid has part of the Anti-Life equation (since when?), and Scott Free, Mister Miracle posesses the whole thing but does not use it.  All this may be lost on new readers because there's no explanation of what the Anti-Life equation is (it lets you control people).  Most of the issue's plot points may have been lost on me because of the lack of exposition which would have helped me understand the plot. Jim Starlin does the art here as well and does a good job.  This is the first Starlin work I've ever read or seen so he's mostly impressing me with his art in this issue.  He's no George Perez, and his regular guys look to me on the tall Skinny side, but he's definately not as bad as Al Barrionuevo on Teen Titans.  I will pick up the second issue of this 8-issue mini-series since DC's website says it is coming out this month on Halloween, but if that fails to grab me I won't continue with this mini, whatever it's importance to Final Crisis may be down the line.  D 

Mighty Avengers #5

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Writer: Brian Michael Bendis
Artist: Frank Cho

Is this book done yet?  Please Mr. Cho, stop with your other projects and just crank out issue #6 so Mark Bagley can come on and we can forget your little stint on this book.  Hopefully they will find an artist who can keep up with whatever super-fast yuppie is on New Avengers by the time Bagley's arc ends.  Marvel, you were really smoking a whole lot of weed when you thought that Frank Cho could keep up with Lenil Yu on New Avengers and that the books could intertwine with each other, as Bendis intended.  Instead New Avengers is midway through it's second arc post Civil War and Mighty Avengers isn't even done with it's first.  In an ideal world, the Mighty Avengers would be fighting the symbiotes as that ultra-cool Wolverine cover appeared on the racks last week, and instead of asking "where are the heroes during all this?" we would know.  Unfortunately for readers and for Marvel the world is never ideal and travesties happen. 

The travesty here is that Mighty Avengers was de-railed for months on end because of the speed of the artist.  Bendis's story wasn't much in the first two issues, but as issue 3 and 4 hit the stands months ago, it started to pick up and I anticipated the next issue until I remembered that Frank Cho was doing the art.  Now, I'm only knocking Cho on his speed for this book, not the quality of his art.  He delivers some good work here and his Ares is almost un-matched.  In this issue Sentry fights the nude-female Ultron after she killed his wife in the last issue for no particular reason.  While doing that the rest of the team fights Iron Man armors that Ultron has commandeered, while Black Widow is in the S.H.I.E.L.D. helicarrier trying to stop Ultron from accessing the launch codes for all the nuclear missles in the world.  Yeah, there is a lot going on, and that is what would've made this book fantastic if there weren't 3 months in between issues.  Marvel sure knows how to kill momentum on their books.  Here, they thought Cho could keep up with Lenil Yu, on Fallen Son, they promised it weekly when it ended up being monthly, and with One More Day it was originally advertised as semi-weekly with the Spidey titles coming throughout one month, where now it was almost a month between installments.  This book had so much potential coming out of the gate and now it just feels squandered.  Can't they pull a DC and move #6 back until after Bagley's arc is done?  Or move it into an annual?  I want me some symbiotes.  C- 

Justice League of America #14

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Writer: Dwayne McDuffie
Artists: Ed Benes & Sandra Hope
 
I was a little wary about this issue.   Ed Benes makes his return for the title after a one issue break and I was worried how his art would look with McDuffie's writing.  Not the actual quality of the art, Benes has that in spades, but I was worried how McDuffie's amplified pacing would work with Benes' style.  I thought Benes and Meltzer worked great together so I was wondering how Benes would adjust to McDuffie. So far, so good.  Looking back, I suppose that Joe Benitez was a good pick for the last issue, as Benes' art comes off as a less stylized version of the same characters.  Anyway, the characters here look good, Benes has had many issues to get that down, let's talk villians.  By far, Benes' Luthor is the best.  He's menacing and evil and the new suit looks so much better than the one that appeared in Superman/Batman or Supergirl.  It's sleeker, and he can turn his head in it, making it infinitely better (there's a Batman movie joke in there somewhere). 
 
After the events of last issue where every member of the League was captured except for Superman and Black Lightning, Luthor appears and goads Superman into getting angry and lashing out.  Lex's theory is that Superman can only be beaten when he loses control, so the torturing of his teammates is meant to do that.  Lex shows Superman all of the Justice League's female heroes held captive in the most gratuitous T & A shot I've ever seen in a comic without nudity.  Everyone's boobs or butt are prominently on display. Superman and Black Lightning eventually make it to the Legion of Doom's (sorry, Injustice League) headquarters and try to free their teammates and put up a good fight but the amount of villains assembled here simply outmatches them.  My favorite moment of the book was the