Justice Society of America # 13 Review

Authors: Geoff Johns & Alex Ross
Art: Fernando Pasarin & Alex Ross
Inker: Richard Friend
Colors: Alex Sinclair

Thy Kingdom Come continues to rock the JSA with issue 13. The team is still tracking the “Heartbreak Slayer”, the mysterious serial killer offing super-villains. While Jakeem brings up a great point about the team status, Kingdom Come Superman runs into New Earth Superman which is depicted by that cover. Speaking of that cover, it makes me wish that Alex Ross was working on another monthly project with the DC heroes again.

Jakeem is not happy with the JSA at this moment. He wants a room to himself and the team seems to be growing too big for their living quarters. Which is something is something he brings up and I’m sure most readers agree with him. The rest of them is trying to figure out what the “Heartbreak Slayer” aka Gog’s secret is. It is through an emotional conversation that KC Supes and NE Supes have that we learn that Gog is Magog’s predecessor. Both eventually run into Hercules who is being attacked by Gog. NE Supes gets clobbered by Hercules while KC Supes stands there and takes a punch to the face from Hercules without blinking. This again brings up the theory that the older Superman gets, the more powerful he becomes because of all the years he continues to soak up solar radiation. Yellow sun baby…it does wonders for Kryptonians without the worry of skin cancer.

I love when Jakeem Thunder comments about how there are way too many members on the team. I think most readers feel what he is saying. I just wish that this book was double sized format or came out weekly. With so many characters and so few pages I find myself missing the other characters that don’t appear in each issue. I know they'll all get their featured issues, but everyone has their favorites, and it seems like several months can go by without even a mention of them, for example Jakeem. I don’t know if I can validate that as a complaint, because I enjoy the characters so much. There are not many writers who do characterizations and character interactions half as well as Geoff Johns. Pasarin does a commendable job as a fill-in artist keeping a similar style to Eaglesham. Even though this issue didn’t feature any in your face fights and the pacing seems a little slow, it still was brilliantly scripted and that is what makes Johns stand above the rest as a fabulous writer. A

Young Avengers Presents: Hulkling Review

Author: Brian Reed
Art: Harvey Tolibao
Colors: Jay David Ramos
Cover: Jimmy Cheung

Young Avengers continues in some way or another and this is its latest incarnation: A spotlight miniseries focusing on one member of the team at an issue at a time. After a respectable and moving first issue it seems that the new creative team couldn’t recreate that mood. Of course they weren’t intending to, but it still a story that wasn’t very compelling.

Much like the last issue, this one again isn’t really about the Young Avengers, but more of a chance to show their reaction to current events. However, this is something that at one time or another had to be addressed somewhere. Hulkling meets his father Mar-Vell for the first time. This is a very monumental meeting because Captain Marvel has been dead for years, but it doesn’t feel monumental. It just seems like Reed just swept the story under the rug and although it showed promise of exploring the relationship between father and son it really ends on a dull note. This story does not move the character of Hulkling forward, but instead makes him out to be an angsty about how his dad may or may not visit him again.

The art was decent; while Tolibao really hits it home with his action sequences, his character interaction could use a little help. And that help comes in the form of Jay David Ramos, whose colors are phenomenal. He adds so much detail to the art that I think he needs to be credited as artist instead of just colorist. In the end this book does nothing more than promote the Captain Marvel mini-series written by Reed and this story really could have been told within those pages. C

X-men Legacy # 208 Review

Author: Mike Carey
Pencils: John Romita Jr. & Scot Eaton
Inkers: Klaus Janson & John Dell
Cover: David Finch

For the second time in its lifespan X-men has changed titles again. When Morrison took the book over the title changed to New X-men. Now, after the rushed events in the last four pages of Messiah Complex, the book has had another name change. Although this time it’s not because a “hot and happening” writer is taking over, there is an actual purpose to the name change.

The issue is divided into two different stories. One depicts the reality in which Exodus and a handful of Acolytes are watching over Xavier’s comatose body and the other is a dream world where Xavier seems to be experiencing his past. We are reintroduced to Amelia Vought, an Acolyte who shared a past with Xavier and it’s because of her love for Xavier that Exodus decided to keep Xavier alive (it doesn’t seem like it was an art fluke, his body was really missing)! After scenes of dreamlike flashbacks Exodus doesn’t think there is anything left for him to do, so he calls on the one man that can help them. His old leader of the Acolytes, Magneto himself comes to the rescue.

This new series seems be another take on a formula that has been ran into the ground. How many times are we going to explore the X-men’s past? How many secrets can Xavier really hold? Everyone from Chris Claremont, John Byrne, Jeff Parker, Scott Lobdell, Mark Waid, and Ed Brubaker has explored the past to tell more stories for the future. But in the end these stories of retelling a hidden past or trying to change a thing here and there to suit your story really doesn’t add much to the X-men mythos. You want past stories? Go buy some Essentials or trades. I can’t imagine this story going on for more than five issues, unless every five issues it spotlights on a different character. They want to impress me with a secret past….write the secret past of Maggot or the hidden agenda of Cecilia Reyes.

Now that I am done with a small gripe I guess I can talk about the story in this issue. I really like how Moira Mactaggert plays Charles conscience in the flashbacks and how Amelia seems to be playing Exodus’ conscience. I think the use of the five Acolytes is a fantastic idea. These five individuals I speak of stand out, because at one time or another they have fought on the side of the angels and given up their evil ways. I think that makes Carey shine; using C-list characters for purposes to move a big story forward. My main gripe with the story mainly comes from the fact that none of the X-men know that Xavier’s body was taken by the enemy and why they don’t seem to care enough to try and retrieve it. I hope they bring this up sometime in the near future.

Eaton’s art is great, he will be missed on X-factor and for some reason more and more his style is starting to look like Finch’s art. JRJR on the other hand reminded me how much I didn’t enjoy his return to the X-books in the mid 90’s. Where everyone was shaped like a box and had oversized bodies. Overall, it was an interesting book with a couple of shining moments. I hope the quality of the book continues and they spotlight other characters that haven’t had a shining moment in years…..Cough cough Gambit…Nightcrawler. If they do explore their past I hope that not everyone has an evil hidden secret. B

Midweek Manga Reviews: From Goddesses to talking toys!

Minima! Vol.1
Story & Art: Machiko Sakurai
Translation: Athena Nibley
Adaptation: Alethea Nibley
Publisher: Del Rey

I can’t imagine what it would have been like to grow up without a favorite stuffed animal. My toy rabbit was my buddy when I was a kid and I would have given anything for him to come to life. Well that’s exactly what happens to Ame Oikawa. She is a shy schoolgirl that happens to be in love with the cutest guy in the school Sasaki; she also finds a stuffed animal that is already alive. Nicori is a little meerkat doll (I still think he looks like a mouse) that has a mind of his own and he lets people know exactly what is on his mind all the time. He also happens to have a short temper and a thirst for vengeance for anybody that crosses him. Nicori decides to stick around and help Ame win Sasaki’s love. There are people after Nicori and Ame gets caught in the middle and eventually gets kidnapped. It does end on a cliffhanger that kept me wondering what is going to happen next. The flaws of the book fall on the main cast; everyone just happens to be one dimensional and while the story is cute, all the characters are cookie cutter and bland. What really saves the book is the wackiness that is Nicori, so he is what is keeping me interested in the series. C+

Oh My Goddess! First End novel
Author: Yumi Tohma
Illustrations: Kosuke Fujishima & Hidenori Matsubara
Translation: Camellia Nieh
Publisher: Dark Horse

I think to say that I love Oh My Goddess! would be an understatement. When I found out there was a novel written by someone other than Fujishima, I just couldn’t imagine anyone else duplicating the magic that Fujishima created. Then I figured, heck some of the best Star Wars stories were written by someone else other than Lucas, so why would that formula not work here? Going by the events that are happening in this book, this story takes place after volume 27, but new readers should be able pick up on characters and what’s come before fairly easy with the help of the introduction. Within the first 50 pages Tohma does something that really took some nerves of steel to pull off. Keichi dies after a motorcycle accident and the goddesses receive a phone call from Peorth warning them of Yggdrasil's imminent collapse. However Urd has a backup restore point for the universe and with the help of her sisters she takes them to the last backup snapshot (the first time Keichi and Belldandy met). However, nothing is ever that easy for our cast, because as soon as the universe is rebooted there are flaws everywhere. Now it’s up to Urd (the only one who retained her memories) to catch her sisters up to speed and fix everything. I loved how Tohma retained all the magic, technology, and computer terms in the same fashion that Fujishima is notoriously known for. I am impressed with the writing of someone, who funny enough was a voice actress (Urd) for 20 years and cannot wait for her to visit the OMG! Universe again. The book is absolutely wonderful and full of great moments that will make fans reminisce of older stories. I think fans will be satisfied with the transition from manga to novel and will be excited for the new material that the novel provides. A

Shiki Tsukai
Story: To-ru Zekuu
Art: Yuna Takanagi
Translation: Mayumi Kobayashi
Publisher: Del Rey

I can’t believe I had forgotten about this title. It has been a few months since I read and reviewed the first volume and it’s not that it was a story that I forgot about, it’s just that so much has come out in between the release dates of volume 1 and volume 2. So Shiki Tsukai is the title given to the keepers of the seasons. Akira Kizuki is destined to become the greatest of these magical warriors. Akira now has to make up his mind whether to fight for the ones he loves or leaving with Shiki Tsukai. Now he is caught between the Shiki Tsuakai of summer who are in conflict with the Shiki Tsuakai of winter. Although most of the story is set up and dialogue carried panels; there are a couple of great battles and that is where Takanagi really shines. The fight scenes are so intense it will make you want to skip reading the rest of the book to get to them. And although I enjoy the story, it does get rather repetitive and dull at times. But if they put in more of Nanayo in the book they can count me in. B-

The Wallflower vol.14
Story & Art: Tomoko Haykawa
Translation: David Ury
Publisher: Del Rey
I never understood what the big deal with Wallflower was. There was a huge following in Japan and it has started to pick up steam here in the U.S. But just judging from those covers I knew this wasn’t a book for me. I’m glad I got a chance to finally reading some of these stories, because I couldn’t have been so wrong. The premise is simple, four guys in Japan have a chance to stay at this amazing western mansion rent free, but only if they can turn the landlady’s niece, Sunako into a lady. Sunako is not your typical Japanese girly girl though; she is into the dark, blood, gore, and gets nosebleeds when she sees an attractive person. The art is interesting to say the least. I love the transition between serious moments and ridiculous super deformed moments. The author bases her characters on real Japanese musicians and due to this the characters actually look Japanese and not a single character falls under the perfect looking, big eyed, shojo character that this type of work is prone to. Sure some of them are still “pretty boys”, but on the scary side. This latest volume focuses on Yuki, yet again. Although it was still a funny story, he is my least favorite character. The chapters also seem to be more and more like a collection of random comedy instead of a continuing story. Nothing wrong with that, but I don’t see this wrapping up soon. I also wish the chapters were a little less episodic, instead of just a random collection of comedic adventures. While the book sounds like it’s another run of the mill coming of age girl story, it’s so much more. A-

Yozakura Quartet
Story & Art: Suzuhito Yasuda
Translation: Satsuki Yamashita
Adaptation: Nunzio Defilippis & Christina Weir
Publisher: Del Rey

Four superheroes….okay one super heroine/alien, one psychic with cat ears, a girl that can conjure up any object, and one normal guy defend the town Sakurashin against demons. We are introduced to the three girls and Yasuda gives them their own narrative in each chapter. The first chapter introduces us to the four characters and their powers and lack of power. They seem to be fighting against demon dogs and other creatures with superpowers. Although it focuses on superpowers, it still has that manga aspect that gives it off-beat humor and quirkiness. For some reason I am reminded of Furi Kuri, but that might just be the cover playing games with me. I love the artwork, the character designs, and the story has set a pace that leaves me wanting for more. Along with the regular Del Rey extras we get some great character sketches in between chapters. I think Defilippis and Weir are the perfect team to adapt this great superhero teen book. Having experience with New Mutants and New X-men….teen angst is right up their alley. This book has a great blend of some of the best comics such as Fantastic Four, Challengers of the Unknown, Evangelion, FLCL, and for some reason I am reminded of the Harlem Globetrotters cartoon from the 70s, don't ask me why. A

The New Frontier DVD Review

Where to start, where to start. I guess the best place would be to say regrettably that I have not had the fortune to read the graphic novel this movie was based on, however, I do love the good old Justice League, and feel like I have a good enough grasp on the characters that I am able to critique it without being misinformed.

First off, I'll say that what I like most about this thing in all is that it showed me that Bruce Timm didn't lose his magic with the Death of Superman DVD that came out a few months back. It cheered me to watch this and know that Bruce Timm HADN'T gone crazy and was still capable of making great work starring the characters we love from the DCAU

Now, that being said, I loved this film. It did a great job of capturing the whole DC universe, in terms of dropping tons of little hints for characters that aren't in the movie like Wildcat among others. The character I enjoyed the most in terms of faithful treatment was Barry Allen, or the Flash for you noobs out there. It was fantastic to see Barry and Iris on the screen, a scene where Barry thwarts Captain Cold in a bomb threat had me at the edge of my seat, truly greatful for a Flash on-screen that was worthy of the fastest man alive, something I didn't see on the Justice League cartoon often enough. That being said, the true star of the movie is Hal Jordan. We see him travel from a hot-shot test pilot to getting a ring from Abin Sur and fighting alongside the newly assembled team of heroes (including Flash, Superman, Wonder Woman, Martian Manhunter, Batman, and Green Arrow amongst countless other smaller, wonderful appearances) to end the global threat of the Center, an alien entity that spouts mutant dinosaur things and acid trips to anything that ventures within. For not being a huge Green Lantern fan, particularly Hal Jordan, I really enjoyed the story centering on him and felt prompted to read some older trades, especially GL: Rebirth. Another great featured character was the Martian Manhunter, undergoing his whole Gotham Detective deal and working with an AMAZING Batman.

As far as the actual movie itself, it was quite enjoyable. My only real complaint with the movie is just that I felt it teased me, taunting that the Justice League cartoon show was gone and there was nothing I could do about it. I suppose it would be comparable to not having sex in years but dry-humping a supermodel.

Side note, was that weird for you? I'm gonna keep it in there anyway, haha.

The art is also fantastic. Or should I say Animation? Regardless, it was quite Timm-versey, but also in the same vein as the art of the original comic. I guess I'll keep this short and just tell you that if you like the DC universe, you'll love this movie. I super need to read the book. -A

Till next time!
-Joshiebear

Episode 92 - No, We're Watching the Watcher

In this trouble-free podcast, we start out reading a few e-mails, then we talk about the new Knight Rider show and Speed Racer film. From there we start into comics, reviewing Hulk 2, Ultimates 3, Amazing Spider-Man 551, Cable & Deadpool 50, Transformers Spotlight - Arcee and Justice League of America 18. Then we talk briefly about the rumor that DC Comics is cracking down on late art, and about the toy news (or lack thereof) from the New York Toyfair. Then it's back to comics, with Mighty Avengers 9, Death of the New Gods 6, Countdown 10, Robin 171, Umbrella Academy 6 and Runaways 29 rounding out the discussion.

Episode 92 - No, We're Watching the Watcher

Cable & Deadpool # 50 Review

Plot & Pencils: Reilly Brown
Script: Fabian Nicieza
Inkers: Jeremy Freeman & Bob Almond
Colors: Gotham

It’s really surprising that this comic made it to issue 50 and I’m not saying that in a negative town. As a matter of fact I am really sad to see this book go. It’s been my favorite Marvel title since its debut and I really can’t imagine a Deadpool book working without Nicieza, yes I’ve read Casey’s and Simone’s run, but nothing comes close to what Fabian has done with this book. I mean these are characters that haven’t shined since the mid 90’s, but somehow Fabian made it work.

Series artist Reilly Brown stepped in as guest plotter while Nicieza contributed the script for the last two issues. Deadpool, Weasel, Bob, Agent X, and the rest of the gang team up with the Fantastic Four, the Avengers, and the citizens of NY to take on the SYMBIOTE DINOSQUAD. I’m assuming this was set during the horrible Venom crossover in Mighty and New Avengers. Even Cable manages to help out, well sort of and everything goes back to where it all started. With Deadpool chilling out on the couch and Bea Arthur.

It’s a great send off to a fantastic run of comics. Fabian’s dialogue is top notch and Brown’s pencils really shine in this issue. I have no idea why neither one of these two is not working on a high profile comic. It’s sad to see that the Cable storyline couldn’t be resolved because I’m sure Marvel has put any stories featuring him off-limits, well that is until his Lone Cable and Cub comic comes out. I’m depressed and I will drink myself to sleep now. A

Wolverine Origins # 22 Review

Author: Daniel Way
Art: Steve Dillon
Colors: Matt Millar

I’m so glad I decided to read this book first and then head over and read Cable and Deadpool 50. Because it would have made this train wreck of a book seem more like the Titanic. The only thing that Deadpool brings with him is his costume, because the funny must have been left behind.

Deadpool is trying to kill Wolverine for some reason. But then again, does Deadpool really need a reason to do anything? Probably not. I’m sure someone has hired him to deal with Wolvie…..but surely it can’t be that simple can it? Deadpool tries everything from dropping a piano to shooting Wolverine, so it is exactly the same thing that happened last issue and I’m sure will keep happening for the next three issues too.

The story and art are bland and nothing really unique comes from Way or Dillon. I can’t figure out if he is writing Deadpool’s voices in his head for the purpose on a new take on the character or because he just simply cannot write Deadpool. I really have no idea how Marvel decided that this new take justifies Way writing the new Deadpool book. I really have no idea how this book is being published. But what baffles me the most is I really have no idea what the heck I am doing reading this book!!!? Cool cover though. D

Midweek Manga Reviews: yeah... midweek sorry about that.

Boys Over Flowers Volume 27
Yoko Kamio
Viz Media

Finally! Finally, finally, finally, finally! Tsukushi declares her love for Tsukasa! Yeah, the guy is a jerk at the beginning of the series, but as it progressed, the more I began to become fond of him. Kamio’s art style may not be my favorite, but when she draws Tsukasa with bubbles around him, glowing, and standing in a cool pose because he’s saying something romantic, he’s awfully sexy! This guy will do anything for Tsukushi too, such as moving into a tiny little apartment with no bathroom in order to live next door to her and protect her from burglars. He’s slowly maturing and learning what it means to love someone besides himself.

So while Tsukasa has been growing, Tsukushi has been backtracking. She was admirable at the beginning of the series with her will of steel and won’t-take-crap attitude, but in the last few volumes she became annoying with her indecisiveness about how she feels. Yes, Tsukasa’s mother is threatening her family and friends with financial ruin so she won’t date her son, but even if she wasn’t Tsukushi would probably still be wishy-washy. I want to see her fight back because she always stands up for what she believes is right, and it looks like she’s returning to that frame of mind again. A

Dark Metro Volume 1
Story by Tokyo Calen
Art by Yoshiken
Tokyopop

The dead who seek revenge or release lurk in the subway tunnels below Tokyo and wait for the living to fall into their trap. Cool concept, but there isn’t an overall story arch connecting the different stories in each chapter. Seiya, the guide to the underworld, appears in each one, and he holds a large chance at being really beastly (a term I’ve learned from my high school students), angsty character, but he doesn’t get much story time until the last chapter.

Since the story isn’t living up to its potential yet, the art takes center stage. Yoshiken does a wonderful job of creeping me out! Barbed wire entangling a man and transforming him into a shower of blood is a gruesome scene that demands a second or third perusing. The art definitely kicks it up a notch. C

I Wish…Volume 1
Hyun-Joo Seo
Tokyopop

No more getting free wishes just because you’re in a bind! Now you have to give up what is most important to you in order for K (a guy who embodies the essence of a cute hairstyle) to grant it. The price is too high for Jin Ryu though, who just lost her family in a plane crash and consequentially is fandangled into working for K. As she becomes privy to the customers’ wishes, she can’t help but get involved. What would you do if a father was trying to break up his son and his son’s girlfriend, or if a woman won’t give up her lover’s memories of her in order to save his life?

I appreciate the splash of humor that is thrown into the story when Jin chibi-sizes or K becomes exasperated. The artwork carries the story very well, but I’m not quite into the elongated appendages and necks. It does help the characters strike a dramatic pose though…C+

Manga Sutra Volume 1
Katsu Aki
Tokyopop

All I have to say is….cute! No, it’s not supposed to be completely cute; it’s supposed to be sexy as well, but come on! When you’ve got two virgins get married and one is too embarrassed to be seen naked in the light and the other has trouble with premature ejaculation, hilarity is bound to ensue. In each chapter Makoto or Yura receives advice from their brother or sister on how to have great sex. Then they try it out! Let’s just say if these two were your brother and sister, you would be afraid of how enthusiastic they are about your sex life.

But after reading chapter after chapter of Yura either blushing because she thinks it’s perverted to ride on top or she doesn’t think they can have sex in the daytime, she gets pretty annoying. I know playing coy is sexy, but there comes a point where they should both have fun! I was so rooting for her when she finally enjoys herself in one chapter.

The author doesn’t intend for this to be just a hentai (porn) but a guide to great sex because…, well, first of all there is a note at the beginning stating such, and secondly, the author includes diagrams of their insides during the sex scenes, which equals not sexy. Finally, the author respects the audience because he assumes the reader knows nothing about sex and starts from the beginning. He doesn’t include pubic hair, not because it makes the book less hentai, but pubic hair in Japan is censored whether it be real or drawn in pornography. Kind of an odd law coming from a culture where nudity is more accepted than it is in the West.

This book is a lot of fun to read and will make you laugh out loud. Just don’t read it while visiting your future father-in-law in the hospital because your future mother-in-law will keep asking you what you’re reading. A

Tokyo Pet Shop of Horrors Volume 1
Matsuri Akino
Tokyopop

Count D, the pet shop owner, looks creepier on the cover than he does in the actual story. But if you’re not accustomed to reading manga, he may seem strange. Is this person male or female? It doesn’t matter in most mangas, where pretty boys are commonly accepted and even admired by young females. The count is actually kind of nice, in a weird way, and helps people with their problems by selling them a pet that showers them with good luck. But the horror part comes into play with the twist ending to each story where someone always dies.

There is a side story about Count D’s grandfather at the end that may border on the offensive side for some readers. In fact, it was previously unprinted due to the subject matter, but as with any piece of writing, you have to separate the author from the characters. Eva is Hitler’s lover who desperately wants a child by him, and Count D’s grandfather grants her wish in the form of a pet that turns human. Throughout the story, she is oblivious to Hitler’s real plans and believes he just wants to better Germany. But when Blondie, the child pet, reveals to her the fires of a concentration camp, she stutters, “How beautiful.” I believe this is supposed to be the horror part of Pet Shop of Horrors because she promptly marries Hitler and they kill themselves two days later. I don’t think the author is praising Eva, but rather he is showing the madness behind the Holocaust. But it was pretty hard to read. B

Episode 91 - Kernel Panic

32 minutes into the podcast we were recording last night, my computer freaked out and threw a kernel panic. Once I'd rebooted, I was able to find the file, but it was hopelessly garbled, so we couldn't use it. So we recorded another 50:00 worth of show, talking about Uncanny X-Men 495, X-Factor 28, X-Force 01, Wolverine 62, New Avengers 38, Booster Gold 00, Countdown 11, JSA 12, The Goon 21, Fantastic Four 554, BPRD 1946 2, Abe Sapien - The Drowning 1, Walking Dead 46, Spawn 175, Green Arrow - Black Canary 5 and Salvation Run 5.

For those who aren't particularly fond of their aural sanity, I went ahead and attached the ruined (but still somewhat comprehensible) audio after the main podcast. For you sane folks out there, stop listening after 'stay geeky.'

Episode 91 - Kernel Panic

Jim Lee Killed My Feet!

My feet hurt, thanks to a long line at a Jim Lee signing at Sci-Fi City in Orlando, Florida.  I went to Orlando this past weekend for this signing and was particularly excited to get stuff signed, and maybe even get a sketch in the Absolute Hush that I won from Nick in his massive contest awhile back.  I got to the store at noon and saw a full parking lot, I went inside the store, which is a massive space, much bigger than most comic stores with spaces for card games, table games, video games, an Xbox 360 lounge, Sci-Fi City is really a great store and I had a high opinion of it, until I left the signing.  Anyway.  I got there at noon, and was prepared to wait an hour when Jim arrived at 1 pm.  After I had my books counted and stickered (so you left with the same amount of books as you came in with) I got in the main line.  After I got in this line, I learned, as the manager announced over the microphone, there were two more lines that would be able to get their stuff signed before me!  So, I went from being not that far back in line, to way at the bottom.  The first line was for people who dropped $50 in the store and bought and Absolute Hush the day of or a few days before and had a reciept.  They had first crack at Jim.  The second line was for comic subscribers at Sci-Fi City, and they had second crack at Jim.  After them was the main line, which I was in.  I thought, "Ok, well that's cool for people, hopefully I'll get my sketch."  2 hours later, my line and the subscriber line had not moved more than 5 feet and more people were entering the store and getting in line than were leaving.  Feeling discouraged, thirsty, hungry, and tired, myself and the people around me asked some employees what was going on.  We were told that Jim had started doing sketches for whomever wants one (I think for free) and that's what the holdup was.  We asked if they could change the lines, cut some off, so that people would be able to get their stuff signed, shop around the store, and leave.  The employees told us that they were sticking to the system they had. Bummer.  An hour after that, my line moved, and I rounded the corner I had been stuck behind for the past 3 hours.  Jim Lee was in my line of sight, drawing inside and Absolute Hush, and my hopes were raised.  As I got closer to the front of the line, I realized that someone had listened to us an hour ago, and was rotating through the still existent 3 lines to move people through, as Jim was leaving at 6pm and there were still over 100 people in line, some with only one or two things to sign.  As I got to the front of the line, I had all my books out, Absolute at the ready for a quick sketch, when the manager tells me, "You know he's only sketching in the Absolutes for the people who bought them here." What?  Blast!  So, I walked up to Jim Lee, handed him my books, told him how much I loved his work, inquired about how long he'll be on All-Star Batman and Robin (till issue 20), and the DC MMO (which is still alive and "looks great").  After he signed all my books, and the inside of my Absolute, I left, put the books back in their bags and proceeded to leave the store.  As my books were being counted, an employee asked me "Was it worth it?"  I looked to him and lamented that my feet were tired, thirsty, and hungry, and that I thought it was unfair that they were limiting who got sketches in their Absolutes.  He looked at me and told me I could get in the Absolute line now, and hope that Jim got to me.  I looked at the still egregiously long line, looked at my watch, and then the employee.  I said to him, "Dude, it's 5 o'clock, I've been here since noon.  The day is over," and walked out the door as he said, "thanks for coming, come back soon!"

So that's my story.  Did I have fun?  Yes, but only because I met this cool guy Josh (hi Josh!) and talked to him for the hours I was in line.  Was this signing mis-managed?  Hell yes.  Before Jim arrived, the manager was telling me how long and hard he had to work to get Jim to come down.  He's in a band, Jim has his CD, which lead to e-mails, someone in the store donated Disney tickets, as well as pulling in some favors for a stretch Hummer limo to cart Jim and his entourage around from Thursday till Sunday, all free for Jim.  Sounds like it took a lot of work right? So then why bumble the event with 3 different lines?  If you want to give subscibers a jump ahead, ask Jim to sign for them only on a different night and time.  Tell the subscibers that their line closes when Jim arrives, and after that they have to get in the regular line.  I watched about 20 people with "subscriber cards" jump in line ahead of me for 4 hours, after I arrived.  It felt like comic-book racism.  They are better than you, so they get to cut in front of you all afternoon long and you can't do anything about it.  I will say that there were people who walked in the store at 4pm, got in my line, which at that time was stretching out quite a bit around the store, and did not get their stuff signed, if Jim left at 6pm like we were told all afternoon long.  If the lines had been worked quicker, then people may have had time or even the inclination to walk around the store and buy stuff, but instead, all of the traffic that this signing generated was tied up in line for Jim, and never at the register.  Another thing that could've been clearer, at least for me, was the sketches.  Is he or isn't he doing sketches?  Not letting everyone get a sketch that wants one is silly.  If they had told Jim to sketch at the end and do signings till the line went way down, I would've been out of there at 2:30pm instead of 5pm, and maybe then I would've gotten in the sketch line.  While I'm sure people will look on the wall, and say, "Wow, this store is cool because they had Jim Lee here,"  the people who were in line with me will say, "Wow, they really mismanaged what could've been a cool event."  Next time they have a signing at Sci-Fi City, I'm going to call ahead and see how many lines they are going to have, before I kill my feet waiting for a minute of face-time with an artist I like.    

A note on podcasts for this week

The stars just didn't align for us this week. Sunday, I was cleaning up from a baby shower we hosted. Monday, Omar was forced by the evil corporation he works for to work late into the evening, and while Chris and I made plans to record an episode anyway, Old Man Winter got in the way. Plans for the rest of the week hit similar roadblocks.

So next week, we're going to release two episodes, the first on Monday or Tuedsay, the second a few days later. You'll get your fix, I promise.

Picture of the Week!

Here comes another one from John Bryant.

Monday Manga Reviews: Girls in love and Girls that are just insane!

Excel Saga vol. 16
Story & Art: Rikdo Koshi
Translation: Yuko Sawada
Adaptation: Carl Gustav Horn
Publisher: Viz

I can’t even begin to explain how insane this series is. Some of my friends ask me why I even bother reading the manga when the anime is superior (according to them). I just answer by letting them know that the director himself stated that the stories in the manga were too insane and risqué to put in the anime. In this volume Dr. Kabapu is literally getting sick at the thought of the stunning success of Il Palazzo's eponymous electronics firm. Umi has discovered another version of Excel, a woman in a torn prison outfit with little memory of her past. There are plenty of cos-play wardrobes and plenty of Aunt Miwa’s insanity. While the stories might sound like chaotically random nonsense, believe it or not the creator is a skilled master at handling the madness with a subtle style of humor and writing his characters as nuanced individuals rather than stereotypic archetypes. The most fun part of any gag he comes up with isn't the gag itself, but seeing how the characters react to it. The artwork works done extremely well. It ranges from detailed lines to simplistic stick figure facial expressions. It doesn't hurt that the creator draws very attractive female characters, but manages to make them strong, intelligent, and believable. As usual, it contains the "oubliette" bonus section with sound effects translations and quick culture notes. This is one of the few Viz books that the sound effects are translated in the back. Do yourself a favor and pick up one of the most original manga to hit the States. A

Fushigi Yugi: Genbu Kaiden vol. 4
Story & Art: Yuu Watase
Translation: Lillian Olsen
Publisher: Viz

The prequel to the original and best selling Fushigi Yugi continues with volume 4! This series again takes us to another world where this time the priestess of Genbu (schoolgirl Takiko Okuda) is trying to find the seven Celestial Warriors. Takiko, the female lead, is a strong young woman who is not afraid to do what she knows is right and doesn't back down. She can handle herself and will fight to protect what she holds dear. While I did enjoy the original FY, sometimes Miaka’s actions would get on my nerves. That is never the case with the way Takiko handles the situations. So in this volume Takiko meets yet another Celestial and gets a kiss from Limdo. Of course right after that he goes back to claiming he hates her. So you can see a developing relationship pass the Celestial Warrior and Priestess role they have. The ending to this volume was shocking and it's quite a cliffhanger and makes me anxious to read the next volume. This story is pure magic and the art style certainly reminds you that Watase can create very believable worlds. Even though, it rarely happens, some of her female characters start looking alike. Watase is one of the best manga writers out there with her twists and cliffhanger endings she knows how to suck you into a story. Takiko is such a marvelous heroine. Smart, mature, and beautiful, as well as very, kind, but she has her flaws which makes her believable. This is definitely another epic story following in the footsteps of its predecessor. B+

Kage Tora vol. 8
Story & Art: Akira Segami
Translation: Satsuki Yamashita
Adaptation: Nunzio DeFillipis & Christina Weir
Publisher: Del Rey

The story of ninjas in love…well some ninjas and some love I guess. Kagetora is in love with his student, Yuki, and in the world of the ninja that is a forbidden. His duty as a ninja is to train and protect her, but he has to follow his heart and be true to himself. In this volume we meet Kagetora’s brother Taka. Taka is in town to test Yuki, which only strains the relationship between Kagetora and his charge. They go on a “date” to an amusement park and Taka gets in his brother’s way of getting anywhere with Yuki. In addition to that story we also get a few special stories that were originally published in Weekly Shonnen Magazine and they fit into the story around volume 5 instead of 8, since Kage and Yuki are both juniors in those specials. This series has been nothing but a rollercoaster (funny enough there is an amusement park in this story) of good to bad stories. The introduction of Taka just seems like such a deliberate plot complication that has nothing to do with deepening any of the characters and ends up being a convention we've already seen in too many manga. The art is also nothing special to write home about, while some pictures are done with extreme attention to detail, others are just bland and don’t stand out from any other manga out there. I have to say that DeFillipis’ and Weir’s adaptation is what really keeps this story interesting. C+

Le Chevalier d’Eon vol. 3
Story: Tou Ubukata
Manga: Kiriko Yumeji
Translation: Ikoie Hiroe
Publisher: Del Rey

This is probably one of the most unique manga out that I have read in recent years. Pretty much set in France in 1753. A mysterious cult is going around murdering young women and using their blood to write poetry. D’Eon is a young member of the police force, who is secretly working for King Louis XV. His sister was murdered by the poets and when she descends into her brother’s body she becomes the Chevalier, hunter of the murdering poets. This really gets personal, because her soul intent is to find the man that murdered her, the twist comes when she realizes if this will let her ascend to heaven or if it means she will spend an eternity in hell. Now the cult has kidnapped the King’s mistress and it’s a race against time to rescue her. The story really sets a tense atmosphere that keeps me coming back. There are some comedic relief moments, mainly provided by d’Eon’s foolish reactions to demons and dead bodies. It’s hard to believe the king chose someone as incompetent as him to go work undercover. It’s a fun adventure story with some great elements borrowed from the horror genre. The artwork is simply amazing. I love how busy every panel looks and the use of dark and heavy lines is exquisite and makes the main characters really stand out. A

Pastel vol. 9
Story & Art: Toshihiko Kobayashi
Translation: David Ury
Publisher: Del Rey

Before I start on the review, I just want to point out the covers always gets me to pick up this book. While the women are not drop dead gorgeous, they do have something sexy about them that I can’t describe. It’s finally time for Mugi to act on his crush for Yuu, but wishy-washy Mugi is helpless on his own, but no problem because his friends concoct a simple plan for success. Step One: Hold Yuu’s hand. Step Two: Hug her. Step Three: Kiss her! But Mugi has a secret weapon. Yuu has given Mugi a special birthday gift certificate that grants him any favor he desires. Man, where were women like this when I was in high school?!!!! Ohh wait..they probably don’t exist. Pastel is an incredibly sweet story and I find most of the characters are honestly likable. Mugi is no tongue-tied loser, and the girl, Yu, is no brash-mouthed stereotype. For some reason it does remind me of a perfect mix between Maison Ikkoku, Love Hina, and Ai Yori Aoshi. As you start reading these volumes you really want the two main characters to get together. Unfortunately the story gets a bit repetitive after nine volumes and for Yes, the romance is sweet, the story is nice, but if you buy this it should be for the art. The female characters are lovingly drawn, and you'll never get tired of the beauty of this series. B+

School Rumble vol. 8
Story & Art: Jin Kobayashi
Translation: William Flanagan
Publisher: Del Rey

When I think of the title, I expect there to be fighting and lots of fan service for the guys. But what I get instead is a love/comedy, I’m not saying that is a bad thing at all. School Rumble tells the comedic story of two high school students. The first being Tenma Tsukamoto, a second-year high school girl who is absolutely in love with Karasuma Ouji, who's about to transfer to a different school already She tries to get the courage to tell him how she feels, but can't. She finally writes a note confessing her love for him, and finally gets the guts to deliver it to him, but forgets to sign it. Karasuma gets permission from his parents to stay at that school for one more year. To make things simple Tenma loves Karasuma, Harima loves Tenma, Eri loves Harima and so on. With the school festival coming, Harima and his cohorts want to present a play. But Hanai’s group is set on a maid café. So the two stubborn parties decide that the only way to come to an understanding is to rumble in the middle of the night with BB guns at the ready! While the artwork in SR is very distinct it really doesn’t make any of the characters stand out. Every one of them looks like average high school students, which I guess isn’t bad, but I guess the character designs leave me a little wanting. The great extras include translation notes, bonus manga, about the creator notes, and a preview of the next volume in its original Japanese language. So, the bottom line? Pretty funny and drawn with a style that fits the story. Should you check it out? Definitely give it a look. B

Gravel #0

Gravel #0

Writer(s): Warren Ellis & Mike Wolfer
Artist: Raulo Caceres
Publisher: Avatar Press

So per usual one day I randomly started looking at what was stocked indie-wise in a comic shop….lo and behold I saw a cover that looked a little rough and had the name Warren Ellis on it, so of course, I picked the mother up.

First off, after finishing this title…I just gotta say….ads put at the end of a comic are, and will always be, a good thing, fuck DC and fuck Marvel, if you want a good story that doesn't have it's flow ruined with ads about cars or some other such nonsense indie titles are where it's at. Now that I got that outta the way, this comic is good. I'd go so far as to say really good. Warren Ellis begins the issue with a prisoner on camera ala terrorists doing a video-tapped execution. Just as they are about to slit the prisoners' throat some invisible force starts beating the friggin crap out of them. I am talking smashing skulls, blood flying, etc, etc. The unseen force tells the prisoner to get going, that the way should be clear all the way back to his camp. We see a cigarette lighted in one panel, dialogue dripping with darkness as he takes care of the last terrorist. This is our hero, Gravel.

Sergeant Major William Gravel, SAS is a "Combat Magician" one of the minor seven in Britain originally, who has come back to find himself ousted from the group of magicians replaced by some punk named Simon Shiranian who looks like a Dracula reject. Apparently while Gravel has been away busting heads Simon found some magical hoo-dad to elevate his status in the magician community and take the presumed-dead Gravel's place in the minors.

Ellis writes a tale that is both filled with interesting characters and a plot that moves along at enough of a pace that each turn of the page has your mouth watering. Magicians lately have become more and more common place in comics and I think it's safe to assume that they are likely to become this year's new "zombie" craze but, that is not to downplay the worth of this comic. Ellis in combination with Wolfer writes a nice little preview issue of a promising series to come.

The art is reminiscent of scenes from Robertson's work on The Boys and yet has a bit of a stylized feel seen in Mignola's BPRD. I don't entirely love this style of art but, I am at the same time not exactly hating Caceres style either…I imagine it'll be like She-Hulk to me, eventually it'll just grow on me

So, my overall feel on it is read this sucker. I am not saying this is the greatest thing I've ever read, cough Green Lantern cough, to get out a "great" from me would require either Geoff Johns or large amounts of liquor and even then its iffy but, it is Ellis and if the man's previous work, (Nextwave, Transmetropolitan, Global Frequency, etc) indicates anything, at most you'll get an interesting story, at least you'll get a dark chuckle. So ends my semi-incoherent ramblings. B+

Ultimates 3 #2 Review

Writer: Jeph Loeb
Artist: Joe Madureira
Colors: Christian Lichtner

This book should be titled “Ultimate Therapy” or “Ultimate Counseling” because most of the characters are crazy in this book. The plot of this issue is pretty confusing and a lot of questions from issue one still remain unanswered. The book begins with Hawkeye targeting Spider-Man (Joe Mad does a great Spidey by the way) and shoots Spidey with a dart that paralyzes the hero. Hawkeye thinks Spidey sent Venom after the Ultimates, but Cap shows up and sort of saves the day. Back at the mansion, Hank is still unconscious thanks to his overdose of medications, Tony is very drunk, Jan doesn’t know what to do, and Pietro is sad he isn’t getting any off his sister who is now dead. Magneto and the Brotherhood show up and fight with the Ultimates. The Blob has some wicked new mouth that looks a lot of like Venom’s, and some Spirit mutant possesses Thor who has to fight his new girlfriend Valkyrie. Magneto confronts Pietro and the two sort of make up since Pietro helps the Brotherhood take Wanda and leave. The issue ends with Wolverine showing up to help the sales of the book even more.

Thoughts/Comments:
That was different. The art was very beautiful, but the story is really hurting my head. Like I said above, most of the team members need therapy of some sort. Hawkeye is bat shit insane shooting tons of Madrox multiples with no regard for life while Hank had some overdose on medications. Pietro was doing his own sister and now is sad she is dead, while Tony is extremely drunk after losing Natasha. Even Magneto has issues; he still can’t look at Pietro without being reminded he once fell in love with a human. Plus, when did Magneto’s costume revert to his 616 colors? I thought the Ultimate Magneto costume was darker similar to how it was portrayed in the X-Men movies. The art was great but the story hurts my head. I give this issue a C.

Mighty Avengers #9 Review

Writer: Brian Michael Bendis
Artist: Mark Bagley
Inks: Danny Miki

Wow! Two issues of Mighty Avengers shipped in one month! God bless you Mark Bagley! This issue continues the Symbiote Virus story arc begun in New Avengers months ago. The issue opens with Hank giving Jan his Giant Man formula so she can grow or shrink in battle. Jan still thinks this is his way of getting “ex-sex” but Hank really is trying to do something nice for a change. He’s probably a Skrull, but we’ll save that for later. The issue is basically a huge fight between the New and Mighty Avengers against the New York Citizen symbiotes. Some members of the Avengers symbiote out, while others don’t. The two suspicious members are Ms. Marvel and the Sentry, they didn’t get hit by the Virus when they probably should have. I know Ms. Marvel has some alien Kree powers or something, but it’s still suspicious nonetheless. Tony heads to the Baxter Building to develop an antidote to the virus since Reed is not in town. More fighting commences between both Avengers teams and the thousands of symbiotes. Tony finally creates an antidote and everyone reverts to normal. The New and Mighty Avengers has a face off, but the Mighty Avengers gang lets their fellow friends go without arresting them. Tony flies up into space and finds out the satellite that dropped the symbiote bomb was developed by a Latverian scientist. The Mighty Avengers gang regroups and head for Latveria to confront Dr. Doom in a beautiful two-page splash that ends the issue.

Thoughts/Comments:
This was another wonderful issue by Bendis and Bagley. The art was gorgeous and the story was full out super hero action from start to finish. I still think that Tony created the antidote a tad bit to easily, but this was still a fun book. Having Bagley draw the New Avengers gang for a few pages was a bonus, and I loved how Bendis picked up plot threads left from “Fallen Son: The Death of Captain America” Cap issue featuring Clint. The only complaint I have is that when Tony talks to his armor it is very difficult to read the boxes. I forgot to mention this in issue one and other fans have pointed this out on other message boards. Still, I’m glad the book is shipping on time and I can’t wait to see the Mighty Avengers tackle Dr. Doom next issue! This issue gets a solid A.

Power Rangers TV Milestones

Mighty Morphin Power Rangers “The Mutiny” Parts 1-3
Written by: Shuki Levy and Shell Danielson
Directed by: Shuki Levy
Airdate: Prime Time July 1994

This is a new review system I’m creating for my fellow ranger fans. With 15 years of ranger adventures to chose from, I’m starting with my all time favorite season opener. This mini series opened season two of MMPR and introduced the legendary villain Lord Zedd. Back when this aired I was in 5th grade, I knew nothing of sentai and had no idea about Zedd and the Thunderzords so this episode just blew my mind and remains a series classic.

The story was good enough to have been the Mighty Morphin Movie storyline. Rita’s boss Lord Zedd arrives on the moon. Zedd is a total bad ass who is pissed Rita has failed to stop six children who have thwarted her plans to rule Earth. Zedd quickly sets up shop in his castle, restores Goldar’s Wings, and introduces his own army of super putties. Rita begs and pleads but Zedd shrinks her and strips her powers, sending her back out into space in the dumpster she had previously been confined in. On Earth, the rangers are taking part in a four-wheeler event when Zordon summons his heroes to the command center. When the rangers arrive at the command center Zordon and Alpha give their champions the worst news of their careers: Lord Zedd is back and he is pissed. Kimberly states it best: “You mean there is someone worse than Rita?” Zordon informs his team that the zords may not be strong enough to combat Zedd, and Alpha reiterates that “Lord Zedd’s power is unmatched by anything seen before.” Bulk and Skull end up being attacked by the new putties and the rangers morph into action. Our heroes have a tough time with these stronger putties, and Tommy’s green ranger powers begin to fail him in a dire situation. Jason intervenes and saves his friend, and proving that he is one of the best red rangers of all time, Jason quickly finds the new putty patrols weakness: the giant Z’s on their chest. With Ron Wasserman’s incredible battle music playing in the background, the rangers quickly defeat the new putties and save Bulk and Skull. Bulk and Skull begin their new mission to find out who the rangers really are, despite Billy calling Tommy by name earlier in the battle.

Zedd isn’t quite finished and creates his first monster, Pirantishead. I’m going to refer to him as PH for the rest of the review so I don’t have to spell his name every time I mention him. At the command center, Zordon informs his team Zedd has created PH and Zack delivers the classic line of “I have a feeling we aren’t going to face Pudgy Pig” before realizing Zedd’s first monster was created from a piranha. This is also incredible because this is the first time we see the rangers morphed but helmetless. Tommy remains in the command center to get his power recharged and the other five rangers morph into action. The rangers summon the dinozords and PH freezes all but the Tyrannosaurs zord. Tommy rejoins the group and summons Dragonzord, but Zedd takes control of both zords and forces them to attack the rangers. The rangers realize they are beat and return to the command center. Zordon then tells his rangers that they need new zords equipped with the power of thunder. Outside the command center, the rangers are introduced to their new Thunderzords. Zordon tells each ranger which new Thunderzord they will command except for Tommy. Tommy’s powers are to weak to support a zord, which pissed me off at the time since I didn’t know he was going to become the white ranger later on. The problem is that the rangers can’t control their new zords until they regain control of the old ones. Billy and Trini go to Billy’s lab to work on a device that will regain control of the old zords while the other four rangers wait in the command center.

Zedd instructs PH to attack the citizens of Angel Grove, forcing the rangers into another battle with the new putty patrol. The rangers now know to aim for the Z, and more incredible Ron Wasserman battle music plays in the background. Bulk and Skull encounter PH once more, and he sends the two backwards on their four wheelers with his magical flute. Zedd grows angry and sends the zords on the rangers once more, and Billy and Trini still haven’t finished their device.

Just as all hope seems lost, Billy and Trini finally finish the device and rejoin the other rangers. Billy doesn’t put the batteries in right, but he finally realizes his mistake and the rangers take back their zords. Lord Zedd is furious by this and uses his magic to send the zords back to the depths of the earth from where they came. Tommy manages to send the Dragonzord back to the sea and safe from Zedd’s magic, despite Dragonzord being used very little from here on out. At the command center, the rangers think they are beaten for good but Alpha somehow saved enough of the remains from the old zords to activate the Thunderzords. Zedd makes PH grow with a magical potion bomb, and the rangers rush into action calling on their new zords. (Poor Tommy has to stay behind with Alpha) The rangers assemble the Thunder Megazord and make short work of PH, saving the day once more. On the moon, Goldar tells Zedd he is sorry his master has failed but Zedd states he has not failed but his minions have failed him. Zedd declares war on the rangers and promises this isn’t over.

At the command center, Zordon congratulates his team for this incredible victory. Tommy feels like his ranger days are past him but the others continue to support him despite his failing powers. All the heroes look at the viewing globe and realize Rita is singing “99 bottles of beer on the wall” while trapped in her dumpster. Back at the four wheeler rally, the rangers set Bulk and Skull’s four wheelers back to normal and all the teens finish the event.

Thoughts/Comments:
By far my favorite season premiere of PR ever. Zedd remains one of the best villains in Power Rangers history and the Thunder Zords were awesome. I was also shocked to see how dark and sinister Zedd was when first introduced; even Goldar was scared of the snake that became his staff. I really wish Disney would release every season of PR on box sets so I could watch this on DVD any time I wanted to. I’ll continue to do more PR TV event reviews for my fellow fans, and if any of you want to join in be my guest! Ray, if you want to talk about PR e-mail me any time at: galaxyblue_99 at yahoodotcom. All in all I give “The Mutiny” a solid A+, this remains one of my favorite PR episodes from all 15 seasons.

Amazing Spider-Man #549 Review

Writer: Marc Guggenheim
Artist: Salvador Larroca
Colors: Jason Keith

The second month of Brand New Day begins and I’m still not that impressed. I’ve really wanted Salvador Larroca to draw a Spider-Man comic for some time now (not counting the Spider-Man: House of M mini series) and the art was pretty sweet for this issue. Still, the new status quo leaves a terrible taste in my mouth despite whatever creators are working on the book.

The issue is pretty straightforward as Spidey tries to track down a new threat called Menace. Menace isn’t really shown in full in this issue. The issue opens with Spidey saving some workers whom are taking down the Daily Bugle letters after a small cameo attack by Menace. Spidey saves the workers and stops the giant letters from hitting the citizens on the ground. The spotlight of the issue focuses on Jackpot for the most part. Most signs point to MJ being Jackpot but nothing is confirmed just yet. Spidey is upset that a spider-tracer was found on a murder victim (continuing plot thread from last month’s arc) and Peter Parker meets his new boss at the Daily Bugle, a man named Dexter Bennett. Dexter thinks Peter is a great employee always running in and out and looking for news stories. Peter is still hanging out with Harry, Lily, and Carlie (I really don’t care for these characters, but whatever) and he wants to know if anyone has heard from MJ. Later on, Spidey runs into Jackpot again and actually hits her thinking her to be a goon of Menace’s. The authorities show up and Jackpot tells Spidey he is about to be arrested.

Thoughts/Comments:
To quote the fastest Nick alive, “meh.” I just can’t get into this new status quo for Spidey. I like Dan Slott, Steve McNiven, and Salvador Larroca. But not even Stan Lee can save this new direction for Spidey. I hate that Harry is alive, I hate Peter being single again, and it seems like MJ is now a disco garbbed hero named Jackpot. I’m only picking the book up because I have to have my Spidey fix, but I am not enjoying the book like I used to. Thanks Joe Quesada, this issue gets another D from a long time spider-fan.

Episode 90 - You Should Sell Your Comic at Starbucks

Shannon Wheeler, creator of Too Much Coffee Man and the new book Screw Heaven, When I Die I'm Going To Mars, joins us for an interview. We also talk about Captain America 34, Batman 673, Emperor Vulcan 5, Green Lantern 27, Ultimate X-Men 90, and Mighty Avengers 8, as well as what we think Batman's death would mean to the DC Universe.

Also, this week (and from here on out), we've got actual show notes! Click on the "Continue Reading" link for links, images, and a few videos.

Episode 90 - You Should Sell Your Comic at Starbucks

Picture of the Week

This one comes from John Bryant

Monday Manga Reviews: oh...and...some manhwa too!

Basara vol. 16
Story & Art: Yumi Tamura
Translation: Lillian Olsen
Adaptation: Gerard Jones
Publisher: Viz

There was a series called Chicago that I highly enjoyed when Viz ran their Animerica Extra Magazine. When I found out that Yumi Tamura had another series called Basara I jumped on from volume one and now I seem to be playing catch-up. This is probably one of the defining shojo titles of the 1990s, so don’t let the artwork keep you away from checking out this title. The story takes place in an apocalyptic future where evil kings rule and have tight grips on their kingdoms and peasants using murder and destruction. When Tatara, the Child of Destiny is murdered it’s up to his twin sister Sarasa to dress up like her blessed/cursed dead brother and lead the peasants to revolt in this world. After years of waiting Sarasa has finally clashed with Red King and her identity has been revealed. Now comes the aftermath of the epic battle. Basara is more than just your typical Shojo manga. Sure, there are drop-dead gorgeous guys, love interests, and cuteness abounds, but the character development and the intricacies of the plot are much deeper than the pretty exterior implies. Sarasa's quest to become a leader and come into her own as a person is fascinating, and the potential there are plenty of plot twists that even after 16 volumes still catch me off-guard. This is shojo at its finest. Intelligent, powerful, and inspirational are just a few words that come to mind. I know it may not look like your thing or your particular art style you enjoy, but I guarantee you will love it if you give a few volumes a try. A

Chunchu: The Genocide Fiend vols. 1 & 2
Story: Kim Sung-Jae
Art: Kim Byung-Jin
Translation: Jay So
Publisher: Dark Horse

I couldn’t wait to start reading this book because of those badass looking covers. I had no idea what kind of story I was getting into when I flipped through the book and saw the action heavy art. It is a time of chaos when the kingdoms of the Mirmidon and Yoong clans have been at war for the last three years, but all of this havoc ends when Chunchu, a Mirmidon soldier, kills the chief of the Yoong. Chunchu, seems to be the cursed child of a prophecy that was foretold the day him and his twin brother were born. While his own father wanted to kill the supposed cursed Chunchu, his mother spared his life and sent him to live with another general in Mirmidon army. He is now tortured by the demons that are in him and hunted down by his twin brother, Woolpaso. I ended up loving this Manhwa, while the story is not the most original or thought provoking the art really carries the reader and puts us in the middle of the brutal battles. While it hasn’t been as gory as Blade of the Immortal or Berserk, there is still plenty of violence to make the weak of heart to look away. Byung-Nin is a fantastic storyteller and knows when to zoom in to get facial expressions or haunting looks. He also knows how much action is needed in the battle fields to balance out the heavy dialogue. I have to say the translation is probably the weakest part of the story. While I had no problem with the main dialogue, some of its colorful dialogue seems a bit forced. Now I have no problem at all with vulgarity, but for some reason it just doesn’t seem to fit with the essence of the story. It was still an enjoyable story that makes you want to know what happens next. B

In the End vol.1
Story & Art: Pink Psycho (Heath & Nheira)
Translation: Erin N. Blakemore
Adaptation: Barb Lien-Cooper
Retouch & Lettering: Star Print Brokers
Publisher: Tokyopop

Let’s just say when I looked at that cover, I felt bad for Kaito Niikura, cause it seemed like he was in for a world of hurting or into some major bondage. Kaito Niikura is a high school student that seems to be suffering from the same problem most kids his age do; no one seems to understand him, not his dad, friends, or classmates. Enter his new teacher, Ren Ando, who for some reason seems to understand him better than he does himself. From the beginning Kaito just seems like a brat that has a lip ring, wears make up, and some horrible looking punk/goth clothes. He gets into angsty arguments with his father, because according to his dad, he is a disgrace to his entire family. Sometimes his inner monologue sounds like an emo kid that’s just had so much of the world he feels like posting it on MySpace. But I guess who didn’t feel like that at that age? The thing is that Kaito is starting to fall for his teacher Ren, who happens to have a girlfriend and has mixed feelings for Kaito. By the end of the book I had a different opinion of Kaito and a completely different opinion of his bastard of a father. So this was a typical story of love that was never supposed to be, but I really bought the realism of the characters. The book had a depressing ending and a lesson about never giving up on your true love. The art went from great pictures to some obscure figures. While it remained true to human figures during scenes that just involved dialogue between characters it changed to awkward looking characters when they would run or would interact with backgrounds. I’m sure with their next project the art will look better. B

Kurohime vol. 2
Story & Art: Masanori, Ookamigumi, and Katakura
Translation: Joe Yamazaki
Adaptation: Lance Caselman
Publisher: Viz

I can safely say that out of any covers that I have reviewed this week, this one by far is the best. With that being said, you can pretty much guess what this series is about. One look at the protagonist and you can tell it’s about gorgeous women with giant guns in the wild wild west. This manga borrows thing from everywhere; spaghetti westerns, Asian mythology, and even some fairy tales. This volume has a recap of what happened when we last left Zero and Kurohime (Himeko). But what seemed like a quick recap lasted longer than anticipated, because it seemed that I have already read this story with volume 1. It really didn’t seem to have any character development. Zero and Kurohime’s relationship seems to be in the same place it was when we began this story. That’s not to say that we get some more wacky hijinks in this volume. For the first time a character that shows up that also happens to be a bullet witch, Kashihime and she has a bit of a fascination with some Grimm’s fairytales. There was also another character, Saika, who I thought was a girl, until further inspection. Regardless of the same repetitive story this book still has great artwork, excellent comedy, and some really cool and unique battles. If you’re a fan of wild west shooting, mythical creatures, dragons, and magic in a world where the bad guys are really bad and the girls are drop dead gorgeous, then this is a manga for you. B-

Shaman Warrior vols. 1-3
Story & Art: Park Joong-Ki
Translation: Taesoon Kang
Adaptation: Dereck Kirk Kim
Publisher: Dark Horse

This is the second manwha that I read this past week and I’m glad I waited to read this one last. Shaman Warrior’s first volume sets up the background story of who is to become the protagonist of this title. We are introduced to Yarong, who is a Shaman warrior and his faithful servant Batu. They are in the middle of a mission from their general when they are ambushed and caught in a trap. With Yarong mortally wounded Batu escapes with the promise that he would take care of Yarong’s daughter Yaki. Yarong dies in battle against the death lord Yuda, who was working under direct orders of the general. 10 years later in the land of Kugai Shaman Warriors are now being hunted down and assassinated. This time we meet a young Shaman Warrior by the name of Horakaan, who leads his pursuers into the desert and right to Batu and Yaki. Death Lord Yuri heads to this desert town to find Horakaan and with a group of four Shaman Hunters, Batu and Horakkan are outnumbered as Yaki runs for her life. But, there are new powerful comrades that made their debut in volume 3. As much as I have enjoyed Park Joong-Ki's story, the artwork is nothing short of spectacular. He has a perfect blend of realism with some sketchy hyper-realism that puts those fight scenes on level only a handful of artist can pull off. Speaking of fight scenes, they are brilliantly rendered and choreographed. His pencils are extremely rich and detailed. I can’t thank Dark Horse enough for bringing out one of my favorite new titles over to the States. I highly recommend this book. A+

Zombie Powder vol. 3
Story & Art: Tite Kubo
Translation: Akira Watanabe
Lettering: Stephen Dutro
Publisher: Viz

I remember the first time I read this series, I was a little confused with the title, but I’m so glad I didn’t judge it purely based on that. This volume picks up where we last left the old gang. Wolfina’s little brother Emilio, has had a Ring of the Dead fused into his body, leaving him in a coma. This of course makes him a target for Balmunk, the mystic leader of a circus troupe, who has stolen Emilio's body. With the help of Gamma Akutabi, his partner C.T. Smith and his flunky Elwood, Wolfina pursues Balmunk to his circus, where the gang finds themselves locked into individual battles against the circus clan combatants. However it seems that Balmunk has an additional motive for fighting Gamma. It seems they share a history one that goes back to their earlier days when Gamma took on a more monstrous identity. This is an excellent series that I am sad to see ends with volume 4. It’s deep rich story rivals that of Bleach in style and originality. It may not be better than Bleach but it is close, and it is better than so much of the manga being published these days. Tite Kubo's art is at once graceful yet powerful, and especially stands out during the frenetic fighting scenes. The details are especially lush and striking throughout the book. Kubo also takes the time to provide profile pages on the main characters which is always a nice addition. It’ll be sad to see this book go, but at least that is 4 volumes of great story telling! A

Mark Bagley at DC: First Look

Eat your heat out Spider-Ben! Bagley has officially moved to DC Comics, with the release of his first piece of art for the company. It's rumored that Bagley will be pencilling the next DC weekly comic, written by Kurt Busiek. How will Bagley do it?  Some folks have speculated that Bagley will do about 14 pages a week, and the rest of the book will be back-up stories from other writers and artists.  Who knows, maybe Bagley can do 22 pages in one week!  This announcement has been out for awhile, so Bagley is probably working up a big lead if it is the weekly series.  From the looks of it, whatever it is, it involves the Big 3, and judging from the quality of this art, at least the art will rock.  Hopefully Kurt Busiek's story will rock as well because the current Countdown weekly was failing on all cylinders until the Monitor War started recently.  If it's not a weekly book, I predict that it will be a book involving the Trinity.  A new book called Trinity?  The JLA?  We know that DC plans on having another weekly series after Countdown, so the odds are that will be what Bagley is working on.  Ok DC, now you got me excited again.  Damn.

Thanks to Newsarama for the pic and the news.

Tsubasa: Reservoir Chronicle Spotlight!

Creators: CLAMP
Translation & Adaptation: William Flanagan
Letterer: Dana Hayward
Publisher: Del Rey

When Tsubasa first started back in 2004, I picked up volume 1. Del Rey was a fairly new company and I wanted to see what they had to offer from one of their first manga titles. I really thought that the concept was an interesting one. Taking all the characters from the CLAMP universe and putting them together in one book was a great idea that had worked on such titles like Exiles in the Marvel Universe. If you didn’t know CLAMP is a four member group of manga creators that have been around for almost 20 years. Being a big fan of all their manga, I figure I would love the idea of all their characters coming together, but for some reason the first volume didn’t hook me and I lost interest. Fast forward three years later and Del Rey released a Tsubasa Omnibus edition that contained the first three volumes. I gave it another shot and I couldn’t put it down, but it wasn’t just that volume, it was all 15 volumes that are released in America that I couldn’t put down. That is why last week there was no Monday Manga Review. So what’s the story about? Who are the characters? Why should you buy this? Well here is a recap as best as I could put together with everything that has happened so far.

First of all let’s start with the cast of main characters in Tsubasa. Syaoran and Sakura are from Cardcaptor Sakura manga, but in this version they seem to be older. Sakura is a teenage princess in the land of Clow, which is ruled by her older brother Touya. Syaoran is her friend who is following in his father's footsteps to become an archaeologist. Both are attracted to each other and have known each other since childhood, but Syaoran feels uncomfortable with the idea of being involved with a princess. When Sakura's powers mysteriously awaken one evening, she sprouts wings which then disappear taking Sakura's memories and leaving her unconscious (but only for a couple of volumes). The High Priest of Clow Country, Yukito, immediately realizes that Sakura's wings were the manifestation of her soul and memories. Without her wings, she will eventually die.

Yukito sends Syaoran and Sakura to another world to meet with the witch Yuuko. There they are joined by two new characters, the wizard Fai D. Flowright (who created Chi from Chobits in his universe) and the ninja-warrior Kurogane, who serves the Princess Tomoyo. Each has a reason to see Yuuko and the need to travel to other worlds. Each of them must pay with what he values most in order to gain the power to cross worlds. For Kurogane, it is his sword Ginryuu, and for Fai, it is the tattoo on his back which allows him to use his magic. Syaoran has to give up the greatest gift of all. He must pay with his relationship with Sakura. Even if he is able to retrieve all the rest of her memories, she will never remember anything about him or their relationship. Of course they will need a guide for their adventure and no one is better than Mokona Modoki for that job. Thus Syaoran and his new companions begin their journey to other universes.

The first universe they run into is where we find two main characters from X/1999. There, they must do battle with powerful, seemingly magical street gangs as the look for a feather containing some of Sakura's memories. It seems that’s what they must do in order to get all of Sakura’s memories back and save her life, is gather one feather per world. Without going in too much detail, because it would literally take five pages to explain every world in detail, I can just sum up what kind of world’s they’ve been to; Anywhere from a world full of summons to a racing world. From a world of an enchanted princess and kingdom to a world full of endless wars. My personal favorites were the worlds where everyone was in a virtual reality machine and the world where they have to travel back in time to get the feather; which shows us that they can also bend space and time. Recently the gang has arrived in an apocalyptic world where they must face the Dragons of the Earth and the Dragons of the Heavens from X/1999.

You kind of get an idea of what the story is about. But now let’s talk about the artwork for the series. It seems that CLAMP’s artwork has changed dramatically over the last few years. Looking back at their earlier series such as Magic Knight Rayearth or RG Veda the characters were gorgeous, but always seemed like they were statuesque when put in action sequences. It seems with this title that has changed and every piece of artwork is gorgeous and fluid, especially the panel and page layouts. It varies from a shoujo, action packed, pop, dark, and violent manga; now if an artist can pull off all these genres without anyone noticing the slight change in art, that is a true testament to their capabilities and range. I blame the art for the hours that I spend looking at each volume. Sure the stories are great and catch you off guard sometimes, but to spend hours paging through it again and marveling at the individual panels, I can only name a handful of artist that I can say I do that with. Tsubasa, is a manga that demonstrates powerfully both the dexterity of CLAMP as artists, and their unique ability to weave a complex, self-referential story that rewards the fan for sticking with the series in the long run. The fights are one highlight of this series, but ultimately, what really carries it is the simple fact that Sakura, Syaoran, Kurogane and Fai (...and, of course, Mokona) are one of the most appealing teams of characters manga or even American comics have seen in years.

Speaking of characters, well they are finally starting to come into their own, and the interactions between our five heroes are often hilarious and sometimes poignant. It's a big plus that Sakura has regained enough memories so that she's no longer a space case, like she was in earlier volumes. If you've been waiting for Sakura to prove that she's got courage and dedication in her own right, just wait around until the 7th or 8th volume and you’ll see her shine. All the characters have some secret they are hiding from one another. Is Syaoran the original Syaoran? Who is Fai running away from? Why is Kuragane following orders from Tomoyo? Is Mokona ever going to double cross our characters because of its loyalty to Yuuko? So many questions and 15 volumes in and we’ve been hinted at a few answers. My only complain about this series is sometimes it takes more time to move on from one world than it really should. I can think of three volumes that were dedicated just to one world. But, complaints like these are relatively minor when you are talking about this phenomenal series.

Fortunately, one doesn't have to have read or seen any of CLAMP's other titles to enjoy this because it is new and doesn't base anything on what happened in their other titles. However saying that, you will enjoy this more if you know CLAMP's other works. The story in "Tsubasa" is interesting and Yuuko's character was so interesting, I have to check out xxxHolic to see how the two stories intertwine with each other. If you are curious about the other worlds, there are a couple of websites full of information or you could purchase the Character Guide to Tsubasa also published by Del Rey. It's a wonderful story filled with love, humor, other worlds, sorrow, adventure, action, and mystery. You don’t have to read manga to understand those types of emotions and to be hooked on a fantastic journey with a great cast and beautifully designed worlds. Don’t be an idiot like me and pass up on a great series because of the first volume. Go get the omnibus or buy volumes 1 through 3 and I will guarantee you will be hooked. This is definitely a series I will follow to the end. A

Ultimate Spider-Man 118 Review

Writer: Bendis
Penciler:Immonen
Inker: von Grewbadger
Colorist: Ponsor

This. Book. Is. Fun. Cover to cover, I had a really fun time reading this issue, and truth be told, a pretty good time reading the last 117 books too. This issue doesn’t appear to have a name, but judging from this cover and the next cover it is definitely the beginning of a new storyline and not just an in-between issue. In the last issue we had the wrap up of Norman Osborn again coming back and terrorizing Peter, and his son, Harry. Then a very tragic thing happened that hit Peter pretty hard.

Right off the bat in the first two pages we get an acknowledgement that Peter wont be getting over the recent events anytime soon, and we get a hilarious moment from one of the supporting characters. Bendis has really built something here. When you’re tired of his roller coaster rides like New and Mighty Avengers, and you just want something consistently good, always turn to Ultimate Spider-Man, and chances are you will never be disappointed. It is easy to see that what Peter is dealing with is personal and he will put on a figurative “mask” to keep everyone out so that he can deal with his problems personally, and so the story can advance, rather than get sucked into a depressing spiral.

The funny moment by the supporting character comes from Kenny, the big bald classmate who wants to date Kitty Pryde. I won’t ruin the funny part, but I will mention that he has figured out on his own that Peter is Spider-Man. What is funny is how he comes across in the first person narration that takes up the first six pages of the book. Every page focuses on a different character’s thoughts and it is a great tool to prove their depths and complexities.

Kitty Pryde has already joined the cast of characters a few issues back but in this issue we get a surprise appearance from not just Iceman but Johnny Storm as well. Iceman adds a little unwanted tension between Kenny and Kitty (who I am really rooting for), but it’s just like real life, when you’re about to make your move the ex always manages to show up, and I guess in this case it’s an ex who is also an X-Man, is that why the X-Men always have so much soup opera drama, because X and ex’s are pretty much a given?

Anyway, the way everyone comes together both makes sense and is comically ridiculous, and I completely loved it. Again it was just plain fun. MJ’s friend Liz, who doesn’t like mutants, is back in the gang but she has been going through her own troubles (she kept saying woof, and at first I was afraid she would be werewolf by night or something, and my second guess ended up being what actually happened). And I think her troubles are about to be Spider-Man’s and judging by next weeks cover Magneto is going to take it upon him to add to the equation. I don’t like knowing the story before it happens but at least I’ll have fun reading about it, and you never know, there could always be a twist, hey at least Mephisto’s not in it.

I guess I should mention the artwork sense the past reviews have always resulted in a fierce debate about the art, and sense I wrote the review I guess I get to have my say too. I love Immonen’s Spider-Man and his work all over this book. I hated his Ult. X-Men run, and actually think it ruined BKV’s writing, which should have been some of the best of that series and it just flat out wasn’t. His artwork for me started getting better with Nextwave, and when I heard he was coming on this I didn’t know what to think, other than that Spider-Ben would hate it. I saw the previews and thought it looked decent. And now being a fair amount into Immonen’s run I have to say that I am really digging his work. He has great pace and storytelling ability, his action scenes are vibrant and well crafted, there is always plenty of things going on panel to panel, and though some of his facial expressions are a odd at times at least he is using expressions, which is a must for this book and why not just any artist will work on it. I didn’t like when he used line shading in some places, in my opinion just leave any middle tone shading to the colorist for this kind of artwork. He seems to favor Leinil Francis Yu on some things but I would like it more if he left the overabundant lines alone. A. Woof.