November 2009 Archives

West Coast About Heroes Episode 19: The Summer of the Robots

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So here's our apology for the last episode / your Thanksgiving present. In this episode we discuss the movies that came out in the summer (and fall) and what we thought of them. Transformers 2, Star Trek, G.I. Joe, Harry Potter, Up, Zombieland, Taking of Pelham 123, yadda yadda yadda, we talk about a ton of 'em. Enjoy the super-sized goodness and forgive us for abandoning ship on the last one.

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Coast About Heroes - Episode 19

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We have a twitter account! For more frequent comic-oriented updates, follow us: TWEET (Feel free to check out our haiku contributor as well: DrQuest). Also, feel free to email us: aboutheroes 'AT' gmail.com.

Walking Out Of The Movies With WEST COAST ABOUT FAILURES, Episode 18

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This is a weird one folks. We said we were going to watch Frank Miller's "The Spirit" and damn if we didn't try, but folks, that movie was too much awful for us. We ended up calling it about 36 minutes into the movie. As a consolation prize, we're throwing the next episode at you, that's 50% longer to make up for the shortness and awfulness of the movie podcast. So grab a copy of the movie and suffer with us, or just listen and laugh as we suffer by ourselves, either way, the second one is our summer movie followup and it's a legit podcast.

West
Coast About Heroes - Episode 18

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We have a twitter account! For more frequent comic-oriented updates, follow us: TWEET. Also, feel free to email us: aboutheroes 'AT' gmail.com.

Manga Reviews: Back with our DNA and more!

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Airgear vol. 14
Story & Art: Oh! Great
Translation: Makoto Yukon
Lettering: Hudson Yards
Publisher: Del Rey

Since we skipped last week, we decided to bring an extra dosage of Manga reviews this week by reviewing more titles. First on the list is AirGear by Oh Great, who not only has a badass name, but is also the same mastermind behind Tenjho Tenge. The story is about Ikki Minami, a 13-year-old junior high gang leader, also known as Babyface of East Side. He suffers a humiliating defeat by the an air-trekking gang called the Skull Saders, who then go on to target the friends and classmates he can't protect. His foster family, the Namayoma sisters, notably Ringo, Ikki's childhood friend mysteriously reveal themselves as the legendary Sleeping Forest, assisting Ikki in entering the Airtrek world to redeem his pride. I haven’t kept up with recent volumes of this series, but luckily Del Rey has a great way of recapping the past stories and reintroducing characters at the beginning of the book. It seems that Kazu has taken the spotlight while Ikki has been recovering, but he’s not alone because with the help of Aeon Clock and Emily he is able to defeat the Storm Rider. And new enemies are rising up that seem to be a challenge even for the elite groups of the Air Trek world. Of course I automatically fell in love with the series because of my fond memories playing Jet Set Radio, and the artwork didn’t hurt either. Oh! Great really lives up to his name when it comes to his artwork; it’s actually better than great, it’s phenomenal. His art is detailed and expressive without ever being crowded or confusing. The paneling is simultaneously inventive and easy to follow, even with the crazy sound effects. Even though the story is not really fresh after 14 volumes, it’s still a fun read and a joy to look at. B+

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Bastard!! Vol. 19
Story & Art: Kazushi Hagiwara
Translation: Kaori Kawakubo Inoe
Adaptation: Sean McCoy
Publisher: Viz
It’s finally here! The latest installment in this great series that I have been waiting on since January! The only bad thing about Bastard’s schedule is that so much happened in the last four volumes it’s hard to remember everything without going back and rereading the previous volumes. Hell has been breaking loose for the last three volumes and it just keeps getting better and better. In case you haven’t been keeping up with the series here is a little run down: The story follows the exploits of a 400 year old super-powerful wizard by the name of Dark Schneider, who happens to be trapped in the body of a young boy after his reincarnation. He can only take control of Lucien (his host body) when he is kissed by a virgin and there are plenty of those. Did I mention there is plenty of action and fights? Sure the over the top fights tend to get repetitive and just plain silly, but those are some gorgeous panels to look at. Specially the panels that have Porno Diano, man I wouldn’t mind fighting her any day. More bodies explode as the fight between Dark Schneider and Satan continues. Even with the help of Gabriel, Michael, and Uriel this is his toughest battle by far! There is also a Tale of Sacrifice Story 0 at the end of the book that features the characters in our timeline. This book isn’t for the faint of heart or people that just can’t take a joke. There are plenty of parts that show women as sex objects. So if you have a problem with that this is not the manga for you. Of course there is plenty of fan service for the ladies too because DS is a good looking guy and has the body of a God. Over the years this has been one of my favorite books that I have to read every time a new volume is available. A-

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DN Angel vols. 12 & 13

Story & Art: Yukiru Sugisaki
Translation: Alethea Nibley & Athena Nibley
Adaptation: Ysabet Reinhardt Macfarlane
Publisher: Tokyopop

According to the internet I was not the only fan of this book that was excited to see its triumphant return. I’m not kidding; it’s been 3 years since volume 11 was released. I just assumed the series was cancelled in America. It was however on hiatus in Japan as well. From my personal experience that usually tells me the creator has lost interest in the title and is moving on and we should too. Not only do we get volume 12 in August, but just a few months after that volume 13 comes along! So welcome back DN Angel! In case you don’t know what the series is about it follows the adventures of 14 year old Daisuke Niwa and his alter-ego Dark. Daisuke transforms whenever he’s feeling anxious about Risa, his crush, but his alter ego, 17-year-old Dark, transforms back whenever he’s anxious around Risa’s twin sister Riku. In these latest two volumes we get to find out the horrible secret of this curse from Satoshi/Krad. I know that the concept of 'light' and 'dark' has been done to death! But I still like it. I'm all for the plot. I like the idea of the whole d.n.a transforming. It's common for anime characters to transform into another being or for that matter change outfits, but I guess that just following the criteria. As usual the art is absolutely wonderful and a joy to look at. High-quality. Top-notch. Sugisaki’s time off didn’t change her art style that much and she still pays painfully detailed attention to every single panel, and the result definitely pays off. The only thing I have noticed is that there seems to be more close-ups now and that takes space away from the backgrounds. I don’t know if she does it to save time, but some panels feel empty. The script is solid, something that I've come to expect from Tokyopop now. Check out this manga. It's beautiful, it's funny, it has a great plot, and for some reason it's just plainly addictive. A-

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Negima vol. 24

Story & Art: Ken Akamatsu
Translation: Alethea Nibley
Adaptation: Athena Nibley
Publisher: Del Rey

For a series that started off like a mixture of Harry Potter and Love Hina, this little title has come a long way in 24 volumes. Negi and some of his students have been trapped in the magical world for a few volumes now. It most of them are still separated and I don’t even know if Negi releasing his dark arts is going to help the girls any. It was nice to see a little bit of the girls who are still on Earth though; it was a nice break from the Negi training with his father. I just can’t wait for the battle with Fate Averruncus! Ken Akamatsu’s art just keeps getting better and better with each volume. He cleverly combines cuteness, comedy, realism, sexiness, and has a great layout to create a very unique style. You know, I never thought I’d say this, but I actually miss the over abundance of fan service we would get with each volume, but it’s just a reminder of how serious the book has gotten. The back of the book has one of the most extensive extras sections that most of us will have ever seen. Everything from translation notes to explanations of particular spells used in the story are here for the reader to look over. There is also a large section of reader fan art and even some preliminary design work by the artist himself. This particular volume also includes some very detailed architectural drawings and notes. Let’s see you try and find that kind of explanation of things in any other manga being made today. When it comes to extras and gaining a better understanding of the manga we are reading, Negima is definitely the best. A

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Shaman Warrior vols. 6-8
Story & Art: Park Joong-Ki
Translation: Jay So
Lettering: Steve Dutro
Publisher: Dark Horse

It’s been a long time since we reviewed some Manhwa on this site. I’m just glad the good people at Dark Horse decided to release this little Korean gem State-side. These issues are the penultimate volumes that will lead to the climactic ending. To play catch-up as Melanie and Omar put it this all started because of Yarong, who is mortally wounded at the end of the first book. Batu is now in charge of Yaki (Yarong’s daughter) and he has to keep her safe in order for her to become a Shaman Warrior. Yaki is now a woman and has gathered troops of her own to destroy the men that killed her father and endanger the lives of other shaman. With her new found powers she has already killed one of the men responsible, but new villains seem to put a damper on her plans. The pacing of the story is excellent and doesn't get bogged down with super long fight scenes. Each character gets his or her own time to develop and even though it has an extensive background that is unclear at the very beginning; it all starts to take shape after the first few volumes. This is definitely a book for fans of fighting and action genres. While the story seems like one you’ve might have read in the past, it still has enough twists to keep me interested. But, let’s be honest the story is not really why I enjoy the hell out of this book; it’s got to be the art. The dark scratchy lines that seem like take forever to draw give this book that appealing unique look that so many other books lack. The action sequences are drawn so well that they are easy to follow, even for a book that relies on action heavy scenes. The movements flow smoothly and the motion is very convincing. Fans of Blade of the Immortal, Vagabond, and Lone Wolf and Cub should check this wonderful series out. In my opinion this book outshines all of those previously mentioned, but that’s just me. Bring on the final chapter of this great series! A

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Shinobi Life vol.3

Story & Art: Shoko Conami
Translation: Lori Riser
Adaptation: Ysabet Reinhardt Macfarlane
Publisher: Tokyopop

Funny how every time I looked at the covers of Shinobi Life it always depicted Kagetora and Beni. I thought it was going to be another one of those cheesy high school love stories. But there was so much more in this manga that I went back and read the previous two volumes. I’ve always been a fan of the name Kagetora, mainly because of the manga that Del Rey put out so immediately I grew to like this character. He is a young ninja that was charged with the duty of protecting princess Beni (red princess). However, he is sent to the future and the first person he runs into is Beni Fujiwara. Not only does she look like princess Beni, but happens to be a descendant of hers. So what else is a time lost ninja suppose to do? Give himself the duty of protecting her of course. The thing that got me really hooked on the book was Beni’s personality though. She doesn’t mind being kidnapped or her life being put in danger because she has a death wish and the only reason she lives is to get back at her father (whom she blames for her mother’s death). In order to rescue Kagetora, Beni goes to Rihito and reveals Kagetora’s true origins to her fiancé. She also promises to be Rihito’s alone. This leads to her having a conflict about her true feelings for her protector. It was a pretty cool twist that the girl becomes the protector in the third volume. Each volume seems to just have more tensions and rivalry than the previous one. This series really got my attention by being different enough to stand out above the rest. I recommend it to anyone looking for a new fun book. B+

WCAH Episode 17: Is It Called Civil War Hulks? They Can All Kill Each Other, That Would Be Less Confusing...

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In this episode, the West Coast crew read some listener hate mail haiku's and get to the comicbook goodness with Blackest Night and it's many Tie-ins, vague Deadpool discussion, a Kick-ass mini-movie review, Space Ghost, Hannah Barbara Cartoon, Marvel Zombies (UGH!), Punisher, Mighty Avengers, Siege, Iron Man, Batman, World War Hulk*s*, and more. Woo, we covered some ground on this one!

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Coast About Heroes - Episode 17

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We have a twitter account! For more frequent comic-oriented updates, follow us: TWEET (Feel free to check out our haiku/email contributors as well: YoYoSkills and DrQuest). Also, feel free to email us: aboutheroes 'AT' gmail.com.

Kick-Ass Movie Review, Or: How I Became Infatuated With A 10 Year Old Girl / Fictional Character...

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It was any other Wednesday. I was futzing around on the internet and minding my own business when my trusty gmail notification blip went off and I scurried to my Gmail tab to see what online pharmacy was launching penis pills at me today, but to my surprise, it was the screening exchange instead. Somehow, I was selected to receive a ticket to see a super-early screening of the film adaptation of Mark Millar's Kick-Ass. And at the ArcLight in Hollywood no less! Not only was this a movie that I really wanted to see, but it was at literally the nicest theater you could go to in the area. Hooray!

kickass-film-still-01.jpgFast Forward to the day of, I show up super early and there's already a huge line. After waiting in line for a little over an hour and a half I got in and sat down and waited some more. Once everyone was let in and seated and the VIP's had their seats, one of the editors (if memory serves it was Eddie Hamilton) got up and explained that none of the special effects were done yet and all the music was temporary. This kinda made me sad cuz i didn't want to get cheated out of seeing the whole movie and miss out on the finished experience, but I was still happy to be sitting there for free when I didn't have anything else to do. And after a lot more boring waiting (man, I really should have brought a book or something, they don't let you bring in your phones so I couldn't text / call anyone) the movie started.

kick-ass1.jpgJesus. This movie completely lives up to it's name. It's wraps up insane levels of ridiculousness and realism into a really fun package that you can't help but enjoy. I was skeptical of this movie at first simply because of how Wanted turned out, but this movie is made completely in the spirit of the comics (which aren't even done yet, haha). Everything I was kind of concerned about (mostly Nicolas Cage) was totally awesome. I don't want to sound too eager when reviewing this movie, but I really didn't know what to expect from this movie and it was really good from where I was sitting. By the end of the movie the whole crowd, including myself, were cheering, whooping and hollering. That's really saying something.

kickass3_gallery_primary.jpgThe characters are all awesome. Dave, the main character, (played by Aaron Johnson) is just like he is in the comics. A completely sarcastic improbable realist (haha, I know that doesn't make sense on paper, but he's a realistic guy who walks around as a costumed avenger). You completely sympathize with him as he goes through life in New York being pushed around by thugs and ignored by the girl he loves. He's had enough and he's going to stand up and make an effort to change the world he lives in. His friends are also really well cast. There's the inconsequential third guy, and Marty (played by Clark Duke, who's basically a much less-often laid transplant of his character in Sex Drive). They really help set the backdrop for Dave as a main character, because they play the guys you most likely hung out with in High School. A couple nerdy guys like yourself who constantly mess with you and give you crap because they're your buddies and they're supposed to.

kickass2_gallery_primary.jpgThen There's Big Daddy and Hit Girl. Jesus Christ, these two were awesome. Big Daddy is played by Nicolas Cage and Hit Girl is played by Chloe Moretz. Both are amazing. Nicolas Cage plays his ridiculous character so well. As a Dad he's lovingly psychotic and oddly old-fashioned in his acting style, but it completely works to show that while he and his daughter go out and kill bad guys, they do love each other and function as a family on some weird level. The funniest thing is seeing him operate as Big Daddy. He kicks ass like a combination of the Dark Knight Batman, The Punisher (MAX of course), and talks like Adam West Batman, which just drives the whole thing home in a giant ball of awesome. And then there's Hit Girl. It's ridiculous that this movie has driven me to devoutly love a 10 year old girl, but it totally has. She's the perfect combination of out-of-costume cute little girl and then complete ass-kicking force to be reckoned with when in costume. You'll know what I'm talking about when you see the movie (you should, by the way). One minute she's daddy's little girl and the next she's calling a room full of gang bangers 'cunts' and then slicing them all up with swords.

aicn-kickass.jpgThere are a lot of other great characters in the film that are fun to see in this crazy story, gangsters, gang-bangers, high school chicks, and Christopher Mintz-McLuvin as Red Mist. The movie's just chock full of funny scenes, Awesome fights, and amazingly ridiculous story. It's really funny to compare and contrast the insane over-the-top insane fight scense featuring Big Daddy and Hit Girl to Kick-Ass, who basically is just a regular guy with some sticks who's trying to make a difference. The movie definitely handles the whacky idea of kids dressing up and trying to be heroes well. Whenever something goes right, 2 things go wrong to keep you grounded. I can't imagine a way this story could have been handled better, to be honest.

hitgirl_kickass1-500x331.jpgLastly, as mentioned before, I was told that the music was all temporary and stollen from other places and the effect shots weren't done. Well, the effect shots all looked 100% fine to me (aside from a 3D comic backstory explaining Big Daddy and Hit Girl's backstory) and the music was actually awesome, because it was from a bunch of other awesome movies. I"m sure they'll make a great score for this movie, but I wish you had the chance to see the movie with music from The Prodigy, The Dark Knight, Superman, Batman, The Fountain, and all the other movies it uses movies from. The whole story is set around people who read comics, love them, and want to bring some of that heroism into the real world, so having music from other movies works so well. It's like they couldn't think of anything better themselves except for the same source material they're drawing from anyway. And I love The Prodigy (seeing him have his first true hero moment defending a guy from 3 Gang-Members while everyone looks and doesn't help while hearing The Prodigy's 'Omen' was really awesome, it totally drove the chaos and adrenaline of the scene home).

So...if you haven't figured it out yet I'll boil it all down for you. This is a movie for nerds and non-nerds alike (although nerds might identify a liiiiiiiittle more with it). It's funny. It's violent as hell. It's awesome. I'll have get you excited and yelling for more. When it comes out, go see it. It's going to Kick-Ass.

(P.S. I'm aware of how stupid that last line was. STFU.)

Manga Reviews:After Halloween Sort of Special!

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Gantz vols. 4-6
Story & Art: Hiroya Oku
Translation: Mathew Johnson
Lettering: Studio Cutie
Publisher: Dark Horse

When I read volume 1 last year, I came out and said it was the best new manga I had read that year. Not watching the anime didn’t spoil anything for me so it was all new and fresh. The series got off to a great start. It was a mixture of the mysteries in Twilight zone with the fun and adrenaline pumping action of Suicide Squad. The second and third volume really brought the series down by having lots of running around and trying to fight the same onion heads. I have to say that this series really picked up with these three volumes. It was really emotional to have the grandmother and grandson team killed by those bird beings and I can’t believe the crazy kid is gone! I really thought he was going to stick around. Kurono finally gets some action, but not from Kishimoto, but a new girl. Damn, way to go Kurono! That really brought a realistic take to the series, which is why I love the series so much. Gantz also packs in a ton of sex and violence which should get just about any male reader's attention. The series is 18+, so the title pages are often scantily-clad pin-up girls carrying guns and who doesn’t like that kind of stuff? Violence is brutal and gory in that slasher flick kind of way. If I have one complaint it's that like most titles in the genre, the action goes on for far too long at times, often extending for volumes before resolution. But what a resolution! Gantz is a completely unpredictable series, and none of the characters are safe. The roster switches up considerably as the series progresses, so there's always a sense of danger. So I wouldn’t pick a favorite character, because I haven’t seen this much death toll in characters since Suicide Squad and Battle Royale. B+

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The Ghost in the Shell
Story & Art: Masamune Shirow
Translation: Frederik L. Schodt
Adaptation: Toren Smith
Publisher: Kodansha Comics

Sure there were plenty of cyber-punk stories long before this manga ever hit the stands like Megazone Saga, Bubblegum Crisis, or Maddox 01, but to me when I try to describe cyber punk to someone I always point them to this book. Now let’s get this out of the way Dark Horse has been printing this book since the 90s and everyone has had a problem with the editing they did on two pages. Shirow, himself, did cut that part out long time ago when the book was first printed in USA. later Dark Horse re-released GitS second edition, that one contain unedited version which does include the lesbian threesome. Kodansha Comics decided to choose version without the threesome lesbian. Sure it still doesn’t make any sense, because the book is rated Mature Content, but does it take anything away from the story? Hell no!

If you’ve been living in a cave and don’t know the story of Gits, well it centers on a security team led by Major Motoko Kusinagi. Kusanagi is like most of her team in that they are highly modified humans, or highly humanized machines, depending on your view. They are shells, biomechanical miracles, in which a human brain and spinal column have been places. However, unless you see one of them being made, or notice their cable contact points, they seem utterly human. The team investigates possible cases of government wrongdoing. Their paths often bring them into contact with the less reputable side of human and cyborg traffic. This is where you find that Shirow really shines; by using these contacts, robots in revolution, berserk cyborgs, and illegal memory copying to gradually shift the story from hard science fiction to a semi-metaphysical deep dive into the significance of the information net and alternate life form possibilities.

The question, of course, is not just 'what is human?' but 'what is intelligent life?' Where exactly is the boundary between the shell, whether it be bioengineered or flesh. In a world, where the definition of humanity is already stretched beyond anything previously believed perceivable, Masamune Shirow spins a tale that puts this graphic novel in a league of its own. Rarely is this medium used to ask questions of such probing depth and scientific curiosity. The novel Ghost in the shell does this with a brilliant cast of unlikely covert law enforcement personnel. Shirow does all this, and more, with a hilarious and refreshing touch of humor and prank. The artwork is some of the best in the industry. Mr. Shirow, which is not his actual name, uses his unique skills as a painter to convey his dark, questioning tale. Acrylics, watercolors and various copied textures are used in the renderings. Techniques from inking to scratching, to create effects with paint, are employed with tremendous skill and outstanding precision. For a man that claims that he was never a manga reader before his debut in the market, he does an outstanding job! The man can draw one hell of a woman, what else can I say?

This edition has a forward by the President of Dark Horse Mike Richardson thanking Shirow and Kodansha for allowing them to share with the world this wonderful story. There is also a nice postscript by Shirow himself that tells the story of how this book was made. I have Ghost in the Shell the anime to thank for popularizing the anime genre. If not for that movie or/and Ninja Scroll I would still be paying 30 dollars a pop for two episodes of a series. This book also put manga on the map here in the states and without it no collection is complete. You figure a guy like me would bring the grade down because of the missing lesbian threesome scene, but the story is really that damn good! A+

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MW
Story & Art: Osamu Tezuka
Translation: Camellia Nieh
Publisher: Vertical

For years I have heard about this particular manga. Being a huge fan of Tezuka and having read tons of his work, I have to say that this particular book was completely different than the other manga I have read. MW is the name of a deadly gas created by the United States that was stashed on a small Japanese island. This gas leaks out and kills all of the inhabitants of the island except for two: Iwao Garai and Michio Yuki. We learn this through a series of flashbacks 15 years later where Father Garai is haunted by his memory of the dead, and Yuki is simply a madman: he inhaled some of the gas, which gives him occasional attacks of bad health, but worse, it warped his brain, robbing his sanity. Now he takes great joy in using, kidnapping, torturing, and killing people. We find out his reason is just as insane as the acts themselves. Yuki always confesses his crimes to Father Garai, who has a vow to keep the confessions to himself. Towards the end of the book, humanity is hanging on the balance, but will Garai just stand by and watch? The story gets a bit complicated as the killings progress and more characters enter the picture. Basically, Yuki is smart and insane, which is a deadly combination. He has no conscience and does whatever it takes to meet his end which is getting more MW! Garai is somewhat powerless to stop him, since he’s a priest and can’t tell anything to the police. But he also happens to be Yuki’s homosexual lover as well. Originally Garai came on to Yuki, so there’s a weird dynamic between who’s really in charge of this relationship. I have to say for a manga released in the late 70s Tezuka was ahead of his time by introducing the two leading characters as homosexual lovers. The manga is flipped so that you can read it from left to right. If Tezuka set out to prove that he could write an adult oriented story that doesn’t rely on shock value to carry the story….well then mission accomplished. A-

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XXXholic vol.14
The Official XXXholic Guide

Story & Art: CLAMP
Translation: William Flanagan
Lettering: North Market Street Graphics
Publisher: Del Rey

Just like with Tsubasa I have been completely out of the loop with the XXXholic series. After reading 10 volumes back to back I found it difficult to skip to volume 14, because it seems like I missed a full chunk of story. It’s good and bad, because they pack so much in one volume, but when you miss three it seems more like 9 volumes. This is really sounding repetitive, so this is why I decided to play catch up and also review the official guide to XXXholic in this review. While most of the first 10 volumes had the spotlight on Watanuki, this volume seems to focus more on Domeki. Domeki is requested by Kohane and we dive a little into Kimihiro’s past when his secrets are started to be revealed. By the end of the volume we understand why he’s put up with all the grief and heartache. It’s a very touching explanation particularly the scene between Domeki and Kohane. This particular volume crosses over with Tsubasa when Domeki sees two Syaorans with the eye he shares with Watanuki. Though the two series are interwoven, this one still stands on its own charm and characters. Along with the release of volume 14 there was also the release of the Official Guide. The guide includes a story digest, character introduction, spirit index, glossary, corrections to Tsubasa, a quiz, interviews, and connections to Tsubasa and other Clamp works. Those are just a few of the things included in this book. This is a perfect book for someone that wants to play catch up with XXXholic or new readers to the series. The book itself tends to be a bit confusing, but it still enjoyable. B+ . The guide itself is not a necessity but it is a nice addition with enough new material to warrant it. B

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Zone-00 vols.1 & 2
Story & Art: Kiyo Qyo
Translation: Nan Rymer
Adaptation: Ysabet Reinhardt MacFarlane
Publisher: Tokyopop

From the artist of Trinity Blood comes Zone -00! I finally got around to reading Trinity Blood volumes 1 through 6. Having read Zone, I went back and picked up six volumes because I fell for Oyo’s artwork. The story is really straightforward. We have demons that coexist with humans, but a new drug is making demon’s go back to their old way. So a Saburo Kujo, who unleashes a demon from within and Ango Shima; an exorcist team up to go up against this conflict. In the meantime Renji is being recruited by Tsukihiko to join the other side, and we learn more about the 300 year old past of Majoko and Senryo and Tsukihiko, while Renji and Rouji are prevented from taking their sibling rivalry to the death - for now. While we have seen this plot over and over again, I have to say Qyo’s art is what really carries this story. The character designs are amazing. They look like they come from a Persona (Shin Megami Tensei) videogame or a fighting game. She really knows how to draw some drop-dead gorgeous women, which usually comes with pretty boys. And even though this book has its share of pretty boys, there are some manly men in here too; with rippling muscles too! I really didn’t think I would enjoy this book, but the art really made it an easy and fun read. B-

Halloween Awesomeness...

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Hey kiddies. We had our Halloween party here at West Coast About Heroes HQ a few nights ago and all the pics are finally rolling in. Since we want you to feel like you're a part of the crew, we thought we'd share some of the picks with you.

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You'd best believe we threw down some beer pong.

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Showing some love for Chris H.

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Yeah, this happened a bit here and there....

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Friends of the podcast Daniell T and Patty M. Sweet costumes, no?

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It occurs to me that my ass is extremely compromised in this picture. MJ is not to be trusted. Too soon?

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You can't keep up with the Chris K, and he knows it.

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Chris H is gonna diagnose the shit out of Norman Bates...

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Justin Q as Tony Stark hanging with Jennie B, as TANK GIRL!!!

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I'm about to get punched in the face by Tank Girl (seriously though, as I type this, I still have a soft spot on my jaw).

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A Happy (belated) Halloween to you from West Coast About Heroes and Friends.

Oh yeah, and this may or may not have happened....
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Pics by Kelvin Blasko, Maria A, Jeptha S, and uh...possibly others.

Beasts of Burden #1

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Writer: Evan Dorkin
Artist: Jill Thompson
Letterer: Jason Arthur

Recently Dark Horse released Beasts of Burden a comic series essentially about a bunch of dogs and cats fighting the supernatural.

I wanted to give this series a fair shake people I really really did but, the phrase "talking dogs & cats" is pretty much an automatic trigger for me to go into cynic mood. Memories of those horrible Look Whose Talking movies are brought up and it sours me a lot towards finding anything positive in anything.

Talking dogs and cats don't work. Point period. They don't work because nine times outta ten whoever is writing the characters doesn't understand the concept of decent characterization. Tell me how many times the dog or cat is written as a lovable, trustworthy animal. Yeah...almost always. Dogs/cats characterized with a "Oh golly" personality are boring, they are unrelateable. I am not saying we should sacrifice an entire story for the sake of good characterization but without decent writing giving voice to the characters, the writer is making the reader work harder to get into a story, and I think that's the problem with this title.

Evan Dorkin's writing is good, you can see glimmers of it here and there, but the characterization of the dogs/cats is just felt to be lacking. The artwork for the issue has a very fairy-tale feel to it which I dig. Jill Thompson's work on the huge frog, utterly disgusting but in a good way. Rare are the times a comic's art can gross me out but there is one scene in this issue where the frog explodes, aww man, seriously, it's pretty sick.

So in short, this first issue of Beasts of Burden is off to a ROCKY start. The writing right now is meh but the artwork by Thompson is promising.

C-

BPRD: 1947 #1 - #3

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Writer(s): Mike Mignola, Joshua Dysart
Artist(s):Fábio Moon, Gabriel Bá

BPRD: 1947 is a continuation of the BPRD: 1946 series. This story, like the 1946 series, is set in the older days of the BPRD when Professor Bruttenholm essentially sent soldiers off to investigate weird occurrences across the world. This time the Professor assembles a new group of soldiers to investigate the slaying of several Nazi soldiers throughout Eastern Europe. The way in which these soldiers were slaughtered seems to suggest one vampire making a statement to all of humanity..and well the statement is pretty much "I am gonna fuck all of humanity up" to put it simply. In search of this vampire a group of specialized soldiers are sent to a small village in France. There is more to this but I don't wanna give away anymore of the plot.

Dark Horse has cracked out another Hellboy inspired titled from the mind of Mike Mignola and yet again his style of storytelling kept me hungry for every page in these three issues I was given. I like Mignola folks, this is not news, the man can write a damn good comic. Mignola's style always seems to harken back to the old 50s comic monster tales. There is an oldness to his writing that is both familiar and new. It's hard to put into words I guess but, if you like corny horror movies and comics from the 1950s and 40s, with maybe a bit of mythology thrown in, good money you'll enjoy his stuff. His writing in 1947 is no different then usual but in this instance I think BPRD: 1947 is made even better by his co-writer, Dysart, who seems to flesh out the character's Mignola has created, giving in particular a sense of realism to each soldier in the group that has been dispatched to the small village in France. The artwork by Gabriel Ba and Fabio Moon is top notch and if your a fan of Umbrella Academy or the older BPRD art styles you'll dig it.

Overall these first three issues of BPRD: 1947 are good. There is some overlap from BPRD: 1946 but not so much where a first time reader couldn't just pick up BPRD: 1947 by itself and get into the story. So check this out if you get a chance, or if your strapped for cash definitely check it out in trade, it's a good tale you'll likely dig.

A+


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West Coast About Heroes Episode 19: The Summer of the Robots

So here's our apology for the last episode / your Thanksgiving present. In this episode we discuss the movies that came out in the summer (and fall) and what we thought of them. Transformers 2, Star Trek, G.I. Joe, Harry Potter, Up, Zombieland, Taking of Pelham 123, yadda yadda yadda, we talk about a ton of 'em. Enjoy the super-sized goodness and forgive us for abandoning ship on the last one.

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