Results tagged “Frank Miller” from About Heroes

Walking Out Of The Movies With WEST COAST ABOUT FAILURES, Episode 18

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This is a weird one folks. We said we were going to watch Frank Miller's "The Spirit" and damn if we didn't try, but folks, that movie was too much awful for us. We ended up calling it about 36 minutes into the movie. As a consolation prize, we're throwing the next episode at you, that's 50% longer to make up for the shortness and awfulness of the movie podcast. So grab a copy of the movie and suffer with us, or just listen and laugh as we suffer by ourselves, either way, the second one is our summer movie followup and it's a legit podcast.

West
Coast About Heroes - Episode 18

the spirit.jpg

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The Bookshelf: Triple Daredevil Review

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I've been on a Daredevil kick for the last few weeks, so having read 3 six issue arcs, I'd figured I'd review them here, from worst to best. What's wierd is that in some way, all of these stories have to do with Dardevil's origin and his father, Jack Murdock.

 

Daredevil: Father
Writer and Artist: Joe Quesada

Ever remember people saying that Joe Quesada had forgotton how to draw at one point? After reading this abysmal story, I now believe them. Joe Quesada's Daredevil here is a bulky, grimacing beast, unlike the one he had drawn with Kevin Smith 10 years back, and every other interpretation of the character. The story here is that there is a serial killer going out and cutting out people's eyes, while Daredevil does nothing, and in the end, it's all his fault. Well, partially anyway. Quesada introduces some new super-team called the Santerias who do nothing but fight with Daredevil in the two issues they appear in, and their inclusion in the story has nothing to do with the ongoing plot. There are some asides to a young, media-mogul, who has daddy-issues too, and he funds the Santerias and asks Daredevil to look into this serial killer. Daredevil refuses because the killer is not striking inside Hell's Kitchen, so it's not his problem, that is until he finds out that all of the victims are his former clients, and that the killer is someone he knows. All of these plots converge in issues 5 and 6 of this mini, showing me that issues 1-4 were pretty unneccessary and that you could've picked up issue 5, read the recap page and finished the mini. That's not good for a story. Quesada seems like he's reaching out in every direction here, which leads to a sloppy plot, and an even sloppier finish, leaving me to close the last issue with disgust. I went into this thinking it was going to be a story that harkened back to Matt's Father, Quesada tried to do this, but got so wrapped up with everyone else's daddy-issues that he forgot that Jack Murdock was supposed to be the centerpiece of the story. It's because of this that the story gets lost. If Quesada had kept everything in check, this might have been a mediocre story, instead of an abysmal one. Quesada is trying to do too much here, and it all gets lost in the shuffle. As for the art, People weren't kidding that his "One More Day" stuff was his best in awhile, because the stuff here looks more cartoony and less detailed than any of his previous work or his new stuff, and that's bad for an artist who is known for a dynamic, detailed style. I don't know if Quesada was so loose to try and get a nostalgic feel in the art, or because his Editor-In-Chief job at Marvel got in the way of the quality. Richard Isanove does the colors here, with his digital painting style, and I almost wish he didn't. Every panel has some wierd color filter. Flashbacks are all yellowed, like on old paper, Daredevil scenes are bathed in red, and the Matt Murdock scenes have a blue hue. This doesn't work well across the board, because it makes the book look monotone. There is nothing to keep me looking at the page, since, because of the coloring, it all looks the same. I want the coloring to make me stop and smell the roses, this stuff didn't. All in all, don't spend your money on this book because you're wondering what the hassle was all about with the delays way back when, grab it in a bookstore, take 20 minutes and skim through it. You won't be thouroughly impressed to buy it after that. D

Daredevil: Yellow
Writer: Jeph Loeb
Artist: Tim Sale

One of many "Color" books by Loeb and Sale, this one focuses on Dardevil and his time at the beginning of his career, in his Yellow costume. A majority of the book focuses on his origin, slightly altering it more than I've ever seen. In this book, Jack Murdock is killed while Matt Murdock is studying in Law School. Everywhere else, Jack Murdock is killed while Matt is a young boy. It doesn't do much to serve the story, other than place it within the first year of Daredevil's first appearance. Anyway, Matt fights some gangsters, it's all pretty standard stuff. The real star of the book is Tim Sale, who's work is phenominal in whatever form it appears, whether for DC, Marvel, or on the Heroes TV show. If you're looking for a book that cover's Dardevil's origin without feeling dated or tying into any continuity, this is the book for you. If you're looking to introduce someone to Daredevil, this might be the book to do it. A solid comic story with some fantastic art. C

Daredevil: The Man Without Fear
Writer: Frank Miller
Artist: John Romita JR

Out of all the Dardevil stories I've read, which really is limited to these three, plus Kevin Smith and Brubaker's first arc, this was the best. Like Daredevil: Yellow, this is an origin story, though it ties in the origin everything Loeb left out, mainly Stick and Elektra. Elektra has been trained by the Hand and is addicted to killing people, but must start confrontations to with thugs to do so. Stick, here is a mysterious janitor who trains Matt in his dad's gym at night. It's not clear why he trains Matt, what is clear is that he's dissapointed in Matt when he uses his skills to fight crime, though his black-sillouhetted boss is not. This is like Batman: Year One, but for Daredevil. I think it might not be as revered as that, because, essentially, Miller is applying his Year One formula to Batman. It introduces a young boy, his dad dies, he trains, meets a female villain, and fights crime. The Kingpin also makes his first appearance here, and his rise to power is quickly established in a few, pages, and that's all we need to know, we can fill in the blanks ourselves. That might be what makes this story so great, is that we're able to fill in the blanks ourselves, with whatever we want the blanks to be, or whatever continuity we know and love. This is pre-Goddamn Batman Miller, so it must be good, right? Fear not, it is. John Romita JR, does a formidable job on art here. I'm not quite sure whether it's because of his love for the character, or because the acrobatic Daredevil is slightly similar to the lanky and acrobatic Spider-Man, which he so greatly draws. And, it's not heavily inked by Klaus Janson, so there is no muddiness to the art, like on that last issue of World War Hulk. This is good quality Miller and Romita JR, and should not be missed for any comic fan, even if the Daredevil costume never appears in the actual story. A

All Star Batman & Robin #7

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AllStarBatman7.jpgWriter: Frank Miller
Artists: Jim Lee & Scott Williams

Holy Flying Feces Batman! We got 3 issues of All Star Batman in one summer!  Unfortunately, while they have been interesting, they have not been great.  Isssue seven hits and finally moves the story forward.  Over the summer we saw Batman beat up a rapist, go to the docks, and meet Black Canary.   Oh and Batgirl took up a lot of space.  Robin? Oh, he's still starving in the batcave, but he appears for more than one page in this issue.  Batman kicks the crap out of the goons who were attacking Black Canary, and then proceeds to have sex with her, with their masks on, because according to Black Canary, "it's better that way."  Right.  Batman's not that much of a jerk to leave a girl in the cold rain after a stand, so he gives her a lift home in the Goddamn Batmobile.  Batman brings a good home to the Batcave, tells Robin that this is the jerk who killed his parents, and that he must make a choice.  Robin makes his choice and the issue ends.  So, after 3 issues in the Batmobile, and 3 in the Batcave, I give it another 10 issue before Robin puts on the costume, but I could be wrong because the last page of this book appears to say that this book is finally going to get moving along. 

Frank is keeping his goddamn mantra, with the word being as present in this issue as it was in five and six.  I'm now starting to think that Frank is lampooning us for making a big deal of it back when issue two came out years ago.  Or he could really like the word, but it's just getting tired.  This issue shows why we had the Black Canary origin in issue three, so we would know she kicks ass, loves Batman, and wants to screw him so bad that she doesn't care about splinters in awkward places.  Just give me Batman in each issue from now on, please.  Jim Lee continues to deliever phenominal work, and Batman scares me more in this series than he does in any of his other books.  Lee draws Batman like a maniac, smiling and laughing, clearly enjoying all the pain he's dishing out.  I've never seen Batman grin as much as he has in this series, it's almost refreshing.  A lot of people may not like the way this series is being written, it's too cartoony, too rough-edged, too different from their takes before.  I like rather like it, as Batman has never been more interesting, whether it's the new Playboy in Morrison's Batman or the insane one in this book.  It's these refreshing takes that make me realize why I love the character, it's because the concept of Batman is just so cool that it doesn't matter how he's written, he's just badass, all the time, and this issue definately helps that case.  B- / C+

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