Results tagged “jeph loeb” from About Heroes

Wolverine # 900 Review

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Writers: Various
Artist: Various
Cover: David Finch

YES!!! After years and years of anticipation it is finally here!!! The mother of all Wolverine comics. The one where we get to find out what exactly makes Logan tick and what really did happen at the Weapon X project. We didn't even have to wait 60 years for this book to come out, because the wonderful folks at Marvel have even created a time machine to travel to the future and bring this piece of gold back in time to us. Fuck you Action Comics and Detective Comics we beat you again! First with Deadpool, now with Wolverine. It's amazing that comics 60 years from now are only five bucks and the stories are still pretty shitty.

What we have here is a collection of eight stand alone Wolverine stories. Six new ones and two recycled from previous comics. We have Logan going after some guy in the Hand, I think. Wolverine playing his role of leader of the Black Dragons to try and take out the Yellow Claw, a story that uses Logan as a surgeon, one where he gives words to live by to a fat guy he drinks with, helping a little girl find her daddy, a dynamic team-up with Spidey, dream sequence of a distant past or an Ultimate universe, and a silent story about Weapon X. Nothing really stood out to me. We didn’t add anything new to make the character more interesting or didn’t shed light in the character’s past.

The story that stuck out the most to me was the team up with Spider-man by Zeb Wells. It actually felt like I was reading a Wolverine story from back in the day. The others were just so bland and forgettable that they aren’t even worthy of talking about. But I guess for the sake of the review and all……David Finch’s art was a nice addition, but they story made little sense. The stupid bar buddy idea was a ridiculous situation where Wolverine takes an insecure nerd out that show him life is about going for it and getting laid in the process. This is Wolverine old as fucking dirt and a samurai and those are his words of advice?!!! I would like to see a follow up to the Yellow Claw story, but maybe just as a one shot. Worst There IS was a little hard to believe, but I guess it had a cute ending. The silent comic was a waste of time, unless Stephen Segovia is just trying to get hired at Marvel and using this as his portfolio piece. The Todd Dezago bit reminded me why I quit reading comics in the 90s and the Jeph Loeb story had some nice visuals, but was just nonsense.

I'm not sure what Marvel was trying to do with this. Other than cash in on the Deadpool Team up mild success. This could have been a solid story about an old man Logan that lost his way in the future......oh wait, fuck that idea we got Mark Millar working on that, let's make this a X-men Unlimited type of adventure. People love that stuff, that's why the series was cancelled twice! It’s a definite pass, unless you are a Wolverine completist and damn it… I happen to be one. D+

West Coast About Heroes Episode 22: Josh's Last Podcast (Not Really).

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Siege is discussed (at length) and the group is surprised to have genuine, earnest and well merited positive feelings towards Marvel! Mark your calendars, kiddies, this is one of the first times the West Coast Crew has unanimously agreed on something (we haven't fact-checked that). Also discussed: The State of the Ultimate Universe, Jeph Loeb (getting better!?), John Romita Jr., Blackest Night, Batman and Robin, Spider-Woman (and cross-dressing as her), Captain America (and his stream of justice), New Krypton, and your humble servant, yours truly, get's spit on and taken for granted. Woo! Take a listen, NERD!

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Coast About Heroes - Episode 22

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We have a twitter account! For more frequent comic-oriented updates, follow us: TWEET. Also, feel free to email us: aboutheroes 'AT' gmail.com. And as promised...Tobey is ugly.

WCAH Episode #12: Ultimate Screw-Up...

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In this episode, we discuss the status of the Ultimate Universe (sans Ultimate Adventures Spider-Man and Avengers #1) and deteriorate into just talking 'bout comics, blah blah...IT'S COMICS!!!

We have a twitter account! For more frequent comic-oriented updates, follow us: TWEET. Also, feel free to email us: aboutheroes 'AT' gmail.com (I know I say a different account name in the podcast, i made a new one!!!)

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Coast About Heroes - Episode 12

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Ultimatum #4 Choose-Your-Own Verdict

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So I thought I might write a review for this comic since y'know, that's sort of what we're supposed to do here, but instead I thought I would just tell you my case (it isn't good) and then, as if this were some sort of court case, give you evidence supporting it.

Verdict: Ultimatum is shock-gore horse-$#!% intended to make you THINK it's good because they're doing "CRAZY" things, when really, it's just superbly bad writing with people dying to make it look important.

EXHIBIT A:
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Apparently, Ultimate Spider-Man is dead. Way to go, assholes. The only reason 90% of the readers pick up Ultimate titles is now Jeph Loeb-fodder.


EXHIBIT B:
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BUNGHOLES?! Damn you, Loeb. Nick fury DOES NOT EQUAL Beavis and Butthead. It's the Ultimates, you wrote Ultimates 3 so "Edgy", why can't he just say assholes, or jerks, or ANYTHING BUT BUNGHOLES!?!?!?!?


EXHIBIT C:
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Explaining why this is bad would be like showing you the a video of the victim (Comic Books) being stabbed by the defendant (Jeph Loeb) and then having to actually explain why that is bad.


EXHIBIT D:
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He can't even write his own Evil Villain Dialogue. He has to borrow it from the Bible. Lazy and super F'd out.


EXHIBIT E:
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Gore for the sake of gore. OMG THEY KILLED TEH DOKTOR STRANJJ!!!1


EXHIBIT F:
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More gore for the sake of gore. So retarded. So so retarded. No fights, no characterization, it's like a kid playing with action figures. All that's needed is just the characters hitting each other and everyone's having the time of their life. This is so $#!%.


So there you go faithful readers. Make up your own minds. Is this not awful? Also, I love Finch as an artist, and this is some of the worst work I have ever seen him churn out.

Ultimatum #1 Review

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Writer: Jeph Loeb
Artist: David Finch
Inks: Danny Miki
Covers: Finch and Ed McGuinness

With a Secret Invasion encompassing the entire Marvel Universe, the Ultimate Marvel Universe has been pushed to the side. For about a year now there have been hints as to a huge Ultimate Marvel Universe event looming on the horizon with the mysterious “March on Ultimatum” banner hovering above many Ultimate titles. With the recently concluded Ultimate Origins mini-series and the Ultimates vol. 3 having wrapped up, readers now know that Magneto is pissed. Both of his children (Quicksilver and Scarlet Witch) have died and the master of magnetism has vowed to make everyone pay. Thus, the Ultimatum has begun.

The first issue is a pretty fast read. We open up on a regular afternoon. Reed Richards is about to propose to Sue Storm, Peter Parker and friends ride a train through Manhattan, the Ultimates team drink, argue and bicker and some of the Ultimate X-Men prepare to watch a play. Suddenly, the sky grows dark and a tidal wave floods the city. Within a few pages many characters die. Those who have perished thus far: Dr. Storm, Beast, Dazzler, Nightcrawler and tons of innocent people. The Human Torch is missing amidst the chaos and Iron Man rescues Captain America from drowning. Reed Richards and Sue Storm race to the top of the Baxter Building where Sue uses her powers to repel the tidal wave back into the ocean, yet due to the extreme stress and overload of her powers she goes into some sort of power coma. Ben Grimm races to the roof wondering what’s going on and Reed races off to the ocean determined to pin the blame on Namor. Elsewhere, Kitty Pryde phases Peter Parker to the top of a nearby building and tells him to don his tights and go save lives. Peter is worried about his friends but Kitty vows to protect them against any threats that may occur. Basically, all the ultimate heroes are caught completely off guard.

In Latveria, Dr. Doom is shocked to find his castle and his country suffering from an arctic deep freeze. Reed Richards jets over the ocean surface and confronts Namor, hoping to blame the sea criminal with the recent disaster in New York. Namor scoffs at this accusation and informs Reed that he would never commit any action that would endanger Sue. At Xaiver’s mansion, Wolverine and Cyclops rush to Professor Xaiver’s study. Xaiver informs them that many of his students have died and he knows who to blame for this disaster. Using his psychic powers, Xaiver contacts Captain America, Iron Man, Spider-Man, Reed Richards and others telling them they must join forces and face the monster responsible for this attack: Magneto. The issue ends with Magneto sitting on his throne, wanting all the heroes to come and suffer at his hands.

Thoughts/Comments:
For such a hyped up Marvel event, this issue read very fast. Yes, a lot happened in the first few pages. But with all the splash pages (despite being beautifully illustrated by Mr. Finch) the issue felt like a fast paced movie trailer. Also, there was a spoiler regarding the current Ultimate Spider-Man story arc before it’s conclusion (Gwen’s back in the cast) and how exactly has Magneto gained the ability to control the weather to such extents as seen in this issue? Still, the artwork was gorgeous and I really enjoyed the end with Professor Xaiver telling all the heroes to go out and kick Magneto’s ass! I don’t really understand why Marvel is charging $3.99 an issue for this event but it should make for a awesome trade when the story wraps up. Also, despite having a year head start the second issue has already been delayed until next month. That’s not a great way to start an epic mini-series event and it might give a lot of customers a bad taste in following the single issues of this story-line. Overall, I’d give the story a C; the art gets A and the combined score a **B-. **Here’s hoping the next issue amps up the action as the heroes confront Magneto head on.

King Size Hulk #1

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hulk02.jpgWriter: Jeph Loeb
Artists: Art Adams, Frank Cho, Herb Trimpe

Wow, this was unecessary.  $5.00 for 24 new pages of art, reprints of Incredible Hulk 180 & 181, and Avengers 83, which didn't even have the Hulk in it!  Art Adams does the first 8 pages, which sees the Red Hulk kill a Wendigo for some reason, and does nothing to advance the whole story happening over in Loeb's Hulk book.  Frank Cho does the next 8 pages to show us the missing bits from Hulk where She-Hulk got grabbed by the Red Hulk.  Again, nothing new to see here.  Herb Trimpe's 8 pages are a review of the old Abomination's history, nothing new here.  I got more value out of reading the reprints, which is a two-part Wendigo story and introduces Wolverine, than I did of the new stuff.  I want to know who the Red Hulk is already.  Drop some hints here and there Loeb! I know you're just gonna drop it on us, but lay some clues please!  And if you want us to buy 24 pages of new Red Hulk stuff, put something new in it! Read this issue in the shop, and put it back on the shelf.  F

The Bookshelf: Triple Daredevil Review

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I've been on a Daredevil kick for the last few weeks, so having read 3 six issue arcs, I'd figured I'd review them here, from worst to best. What's wierd is that in some way, all of these stories have to do with Dardevil's origin and his father, Jack Murdock.

 

Daredevil: Father
Writer and Artist: Joe Quesada

Ever remember people saying that Joe Quesada had forgotton how to draw at one point? After reading this abysmal story, I now believe them. Joe Quesada's Daredevil here is a bulky, grimacing beast, unlike the one he had drawn with Kevin Smith 10 years back, and every other interpretation of the character. The story here is that there is a serial killer going out and cutting out people's eyes, while Daredevil does nothing, and in the end, it's all his fault. Well, partially anyway. Quesada introduces some new super-team called the Santerias who do nothing but fight with Daredevil in the two issues they appear in, and their inclusion in the story has nothing to do with the ongoing plot. There are some asides to a young, media-mogul, who has daddy-issues too, and he funds the Santerias and asks Daredevil to look into this serial killer. Daredevil refuses because the killer is not striking inside Hell's Kitchen, so it's not his problem, that is until he finds out that all of the victims are his former clients, and that the killer is someone he knows. All of these plots converge in issues 5 and 6 of this mini, showing me that issues 1-4 were pretty unneccessary and that you could've picked up issue 5, read the recap page and finished the mini. That's not good for a story. Quesada seems like he's reaching out in every direction here, which leads to a sloppy plot, and an even sloppier finish, leaving me to close the last issue with disgust. I went into this thinking it was going to be a story that harkened back to Matt's Father, Quesada tried to do this, but got so wrapped up with everyone else's daddy-issues that he forgot that Jack Murdock was supposed to be the centerpiece of the story. It's because of this that the story gets lost. If Quesada had kept everything in check, this might have been a mediocre story, instead of an abysmal one. Quesada is trying to do too much here, and it all gets lost in the shuffle. As for the art, People weren't kidding that his "One More Day" stuff was his best in awhile, because the stuff here looks more cartoony and less detailed than any of his previous work or his new stuff, and that's bad for an artist who is known for a dynamic, detailed style. I don't know if Quesada was so loose to try and get a nostalgic feel in the art, or because his Editor-In-Chief job at Marvel got in the way of the quality. Richard Isanove does the colors here, with his digital painting style, and I almost wish he didn't. Every panel has some wierd color filter. Flashbacks are all yellowed, like on old paper, Daredevil scenes are bathed in red, and the Matt Murdock scenes have a blue hue. This doesn't work well across the board, because it makes the book look monotone. There is nothing to keep me looking at the page, since, because of the coloring, it all looks the same. I want the coloring to make me stop and smell the roses, this stuff didn't. All in all, don't spend your money on this book because you're wondering what the hassle was all about with the delays way back when, grab it in a bookstore, take 20 minutes and skim through it. You won't be thouroughly impressed to buy it after that. D

Daredevil: Yellow
Writer: Jeph Loeb
Artist: Tim Sale

One of many "Color" books by Loeb and Sale, this one focuses on Dardevil and his time at the beginning of his career, in his Yellow costume. A majority of the book focuses on his origin, slightly altering it more than I've ever seen. In this book, Jack Murdock is killed while Matt Murdock is studying in Law School. Everywhere else, Jack Murdock is killed while Matt is a young boy. It doesn't do much to serve the story, other than place it within the first year of Daredevil's first appearance. Anyway, Matt fights some gangsters, it's all pretty standard stuff. The real star of the book is Tim Sale, who's work is phenominal in whatever form it appears, whether for DC, Marvel, or on the Heroes TV show. If you're looking for a book that cover's Dardevil's origin without feeling dated or tying into any continuity, this is the book for you. If you're looking to introduce someone to Daredevil, this might be the book to do it. A solid comic story with some fantastic art. C

Daredevil: The Man Without Fear
Writer: Frank Miller
Artist: John Romita JR

Out of all the Dardevil stories I've read, which really is limited to these three, plus Kevin Smith and Brubaker's first arc, this was the best. Like Daredevil: Yellow, this is an origin story, though it ties in the origin everything Loeb left out, mainly Stick and Elektra. Elektra has been trained by the Hand and is addicted to killing people, but must start confrontations to with thugs to do so. Stick, here is a mysterious janitor who trains Matt in his dad's gym at night. It's not clear why he trains Matt, what is clear is that he's dissapointed in Matt when he uses his skills to fight crime, though his black-sillouhetted boss is not. This is like Batman: Year One, but for Daredevil. I think it might not be as revered as that, because, essentially, Miller is applying his Year One formula to Batman. It introduces a young boy, his dad dies, he trains, meets a female villain, and fights crime. The Kingpin also makes his first appearance here, and his rise to power is quickly established in a few, pages, and that's all we need to know, we can fill in the blanks ourselves. That might be what makes this story so great, is that we're able to fill in the blanks ourselves, with whatever we want the blanks to be, or whatever continuity we know and love. This is pre-Goddamn Batman Miller, so it must be good, right? Fear not, it is. John Romita JR, does a formidable job on art here. I'm not quite sure whether it's because of his love for the character, or because the acrobatic Daredevil is slightly similar to the lanky and acrobatic Spider-Man, which he so greatly draws. And, it's not heavily inked by Klaus Janson, so there is no muddiness to the art, like on that last issue of World War Hulk. This is good quality Miller and Romita JR, and should not be missed for any comic fan, even if the Daredevil costume never appears in the actual story. A

Ultimates 3 #1

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Writer: Jeph Loeb
Artist: Joe Maduriera
 
Well, yet another much-hyped book falls flat.  I can't decide if it was the artwork that killed it because it was so static, or the writing that seemed to have almost nothing in common with the previous volumes.  Also, the book took me about 5 minutes to read, which for 2.99 is dissapointing.  We start off with a meeting in the Ultimates' headquarters, unfortunately viewing a sex tape of Iron Man and the deceased Black Widow.  Is a sex tape the only scandal that Jeph Loeb can think of? Really?  Anyway, the Ultimates discuss it for about a page when Venom bursts in rambling, "where is she?" over and over again which gets annoying.  Over the course of this fight I learn that Thor is now speaking in more evocative language than the hippy-speak he used to spout, Thor has a girlfriend, Black Panther doesn't speak, and Hawkeye/Bullseye has a death wish.  Where the hell is Iron Man?  Captain America?  These characters only appear for a page or so, and these were the most interesting characters of Volumes 1 and 2, not to mention Nick Fury who isn't even mentioned.  At the end of the book, someone gets shot, and I really don't care.  Everything here seems so deriviative of Millar's previous work.  Jeph Loeb is certainly a capable writer, but I think him taking over a book that had such a distinctive look and feel was a bad move.  Millar had more than action going on in his book, his characters had relationships with each other, personal problems, lives, families, and we caught a glimpse of that while they battled the Hulk, Aliens, each other, and Norse Gods.  It's that complexity that Millar brought to the book that made Ultimates great, not to mention Hitch's contribution.  Here, Loeb is just throwing things at the wall, seeing what sticks.  We know Captain America is still a man out of time, but you don't have to throw it at our face by having him reprimand Scarlet Witch for her skimpy costume.  It's just cliche.  Maybe Loeb should've had a whole issue to deal with these characters before he started his fight, or made this issue double-sized even.  It might've helped the story, not to mention the transition from great to mediocre.
 
I've seen Joe Mad's work before in an X-Men trade or two.  I liked his stylistic stuff, and it worked for the time, but here it just feels bland.  The characters feel posed and have little or no real expression to their faces.  Go back and look at Hitch's expressions in every book, they were phenominal.  The fight scenes aren't drawn particularly exciting, and the coloring just hinders the interior art in my opinion.  The man needs a real inker, get rid of this digital painting style, it doesn't work here, it just muddies the art.  It's hard to read this book and not compare it to the previous two volumes, and when you do compare it, it doesn't measure up, not even close. D

Fallen Son #3: Captain America

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Writer: Jeph Loeb
Artists: John Romita Jr & Klaus Janson

After the abysmal Avengers issue, Fallen Son gets a little better, but not much. This issue's theme is "Bargaining" and features Iron Man, Clint Barton, and Captain America? Can you guess where this is going? Yup, you guessed it! Tony wants Clint, formerly Hawkeye, to be the new Cap. Clint even puts on "the flag" and goes out with Tony to try and capture Patriot and Hawkeye (the girl one, confused yet?). Clint lets them get away, and takes off "the flag," basically undoing whatever this issue tried to do. All this issue proved is that Steve Rogers is the only Captain America there can ever be. We all knew that to begin with. What am I missing here that makes this story one that needs to be told? Each of these issues seems to be missing a point, or even their theme. Like last issue, bargaining only came up once in the issue, the rest was focusing on the future of Captain America. This issue was a okay read, but in the end I still feel like I could have saved my $2.99 for another book next week. I feel like this book is an excuse for Marvel to print money, and ugly Michael Turner Variant Covers. In the end, since nothing really happened in this issue that "changed the landscape of the Marvel Universe" you could skip it and not miss anything.

Even the John Romita Jr. art is not enough for me to compel you to buy this book. JRJR is a master artist, one of the best when he's on Spider-Man, and maybe that's the problem here. For me JRJR is best on Spider-man. I liked his Eternals stuff but it just doesn't fit here. And the coloring by Morry Hollowell makes JRJR look like Steve McNiven in one panel. So if you are a McNiven clone, have Morry Hollowell color you, and if you're Steve McNiven, don't lose Morry, because you are not that good without him. I'll keep reading this series for the next two issues, only to tell you that you can skip it. Well, maybe the David Finch Spider-Man art might make me tell you to buy the book, but we'll see. C-

Fallen Son #2 : Avengers

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Writer: Jeph Loeb
Artists: Ed McGuinness & Dexter Vines

Well, so much for this weekly series. It was supposed to be weekly or bi-weekly right? Well, I'm throwing my expectations for on-time out the window for now on. Thank you Jeph Loeb for rushed ideas! Moving on, this issue focuses on the stage of grief of "Anger." The Mighty Avengers take their anger out the villain Tiger Shark, while the New Avengers take it out on each other. This book didn't do a whole lot for me, the New Avengers just seemed too sad to really be angry. If you're angry, then why do you invite Ben Grimm to come over and set up a poker game? I know that Ben holds poker games in the Marvel Universe, but are you really that upset that you're going to give away your "secret" hideout to a registered hero, regardless of who it is? Luke Cage can't go out and buy a pack of cards for you? Just send out Jessica Drew, no one knows who she is, and they'd be too distracted by her boobs and pheramones to remember her ever being anywhere. This cover insinuates a battle between the two teams, but nothing like that happens here.

Ed McGuinness does the art here, and I was so in love with his DC stuff that I find myself seeing DC characters in this book. Ms. Marvel is clearly Wonder Woman with Blond Hair, Iron Fist is Batman, and Luke Cage and Sentry are Superman. It's just jarring to see the faces and musculature from in different costumes. The only persons trully different are Spider-Man and Ben Grimm, just because one is made out of rock, and the other is supposed to be skinny. Honestly, this book doesn't do much to further the Dead Captain America storyline, and is perfectly skippable if you're short on cash. Next issue is Captain America with John Romita Jr. so that may turn out okay. D+/C-

Fallen Son: Wolverine

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Writer: Jeph Loeb
Artist: Lenil Yu

Spinning out of Captain America #25, comes the Fallen Son mini-series. Spotlighting a different person or team in each issue, as we travel through the five stages of grief (Denial, Anger, Bargaining, Depression and Acceptance) with the Marvel Universe. This is a really interesting idea, and if it's carried out consistently, may work well. The only thing that may hinder it is the rotating artist on each issue, but Lenil Yu is not a bad way to start. The book opens with Wolverine talking to "The Winter Soldier" (the Lamest title ever so we'll call him Bucky) about Cap's death. Wolverine does not believe that Cap is dead and is trying to get Bucky to go with him to verify the body. Bucky declines, so Wolverine seeks some other help from Daredevil. If he can't get Bucky to identify the body as the person who knows Cap best, then he'll get Daredevil, the human lie-detector, to verify his enhanced senses. With some help from the New Avengers, they get onto the S.H.I.E.L.D. helicarrier to find Cap's body, as well as Crossbones. At the end of the issue, the denial plotline has been closed up satisfactorily, making this a well rounded stand-alone issue. If each issue of this mini-series deals with the emotional issue that it's modeled after, then bully for Jeph Loeb, as he's the only man who could write this, with the recent death of his son being the driving factor here.

If you don't think Lenil Yu is a great artist, you're wrong. His nitty gritty style is working for New Avengers, and works here too. His pencil shading rather than traditional inks adds some vitality to the art, making it different from anything else on the stands. Yu draws Logan as the short man we know him to be. He also draws a great Daredevil seen to the left. If there is one artist I wish DC would steal (eventually) it would be Yu, and put him on Batman or Hawkman. This is a great selling point on Yu's art, as Loeb really lets him cut loose, which helps the story. Go get this book for a good read and great art. I can't wait to read the rest of the issues to see if this was an actual story idea, or just another sales ploy after Civil War made so much money. B+

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Episode 141 - Psychic Tylenol

This week we talk about....

-Spider-Man : One Moment In Time
-Uncanny x-Men
-Hulk/Red Hulk Discussion
-Inception
-Scott Pilgrim (the books & movie)
-The Expendables
-Machete
-Kick-Ass
-Justice League : Generation Lost
-Upcoming Walking Dead tv series
-Sherlock

...even a little Super Mario Bros talk

All this AND MORE!

Episode 141 - Psychic Tylenol

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