Dark Horse: September 2007 Archives

Hellboy Vol. 7 TPB Review

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Hellboy: The Troll Witch and Others

Publisher: Dark Horse Comics
Writer/Artist/Creator: Mike Mignola
Artist: Richard Corben
Artist: P. Craig Russell

The first thing you need to know before I start this review is the beauty behind Hellboy is that that it doesn't matter if you've read Hellboy TPBs Volume 1-6 or not and that goes for any of the trades. Hellboy, in his own contained universe, can be read in whatever order you want. In many cases the stories in the volumes aren't even in order.

The first story in this collection, The Troll Witch and Others, is called Penanggalan and takes place in 1958, Malaysia, well before Hellboy's antics in the very first Hellboy series. My favorite part about the collected works of Hellboy is that they always come with three things, an introduction, a few sketches in the back, and Mignola's own explanation for how he came up with the story. His explanations are my favorite part about getting these in TPB, even if I had all the issues, which in this particular trade were hard to come by, I would have still picked this trade up. The explanations add a level of intimacy as we, the readers, get to look in on Mignola's writing and creative process, a notion still hard to come by in mainstream comics, and particularly nice in far out stories like these where on many occasions I have said to myself "where does he come up with this stuff."

In this trade we get a collection of stories that were printed in various formats, not just in single print issues, but also in collections with other works like Wizard magazine promotions and the Dark Horse Book of Witchcraft. These collections are essential because I didn't even know about the Penanggalan until I read it here. My favorite part of the Penanggalan is when Hellboy makes a comment that is quite possibly the same reaction Mignola himself would have had when he stumbled onto this story, in which a woman becomes startled and kicks her own head off, weird!

I personally love The Troll Witch for its ability to blend classic folklore with Hellboy. This particular story could almost be done without Hellboy but when added the supernatural element really kicks up. I also loved The Ghoul because Mignola juxtaposes a story about Hellboy beating up a monster and Shakespeare's Hamlet, which fits perfectly. Mignola drew most of the stories in this collection, which is something I doubt we will see much of in the future. His other artist's were Richard Corben who drew "Makoma" (though Mignola does draw a few panels at the beginning and the end) the story of Hellboy in Africa, which is probably one of my favorite Hellboy two part stories because of its involvement with Africa, and Corben's earth tones really fit the book. And the other artist is P. Craig Russell, who drew "The Vampire of Prague" a slightly cartoony style that works perfectly with a lighthearted gothic tale (yes, such a thing is possible). Mignola of course still writes all of the stories, which is awesome to see and again isn't as easy to come by, but Dark Horse is usually pretty good to its creators, and I am thankful of it. A+ Oh and you should look into all the rest of the trades if you like this one!

Criminal Macabre: My Demon Baby #1

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Writer: Steve Niles
Art: Nick Stakal

Criminal Macabre: My Demon Baby follows the pill-popping monster hunter, Cal McDonald, as he is hired to stop a cult of satanic worshipers from bringing the devil to Earth. This first issue...has a problem or two.

The most glaring thing wrong with this title is....it's not written for people new to Cal McDonald. Generally I don't give a crap about new readers but, in the case of indie titles, it's sorta a big concern. No real backstory is given on Cal. You know nothing of Cal or his past, other then it has been pretty shitty. You have no idea Cal is a monster hunter till the priest pays him to stop some bad mojo from going down. Cal's partner Moloch is never even mentioned by name, and you never get the explanation of what exactly Moloch is, nor why he would help a "monster" hunter, being somewhat monstrous looking himself. Basically, this title is NOT written for someone looking to get into the world of Cal McDonald, as you'll be partly lost at times.

The art for this story is...alright, I could give Stakal crap but, honestly the guy is better then Kyle Hotzs' somewhat cartoony style, that seemed at times more to mirror Tony Moore's penciling work in Fear Agent. Stakal's art style is reminiscent of the kinda stuff you'd see in Hellboy or BPRD, it has a grittiness to it, which has long been absent from the Cal McDonald stories ever since Ben Templesmith parted ways. The lines are sharp yet have a chaotic feel to them which help set the somewhat unreal mood of the story.

NOW, all of the above being said, is this something those familiar with Cal McDonald would like? I would have to say yes. The general setup is good, you get the introduction of Moloch basically kicking Cal's ass to get him out of the depressive junkie mood he's in. You see some evil brewing towards the end, and have your appetite whetted just enough to get you to read the next issue. In general, you got all the elements of a classic Cal McDonald story, though there could stand to be a little more sprinkles of humor thrown in

So, in short, to Cal fans, your gonna dig this title, to non-Cal fans, read Niles & Templesmith's Criminal Macabre stuff first, it's a better starting point. B+

Lobster Johnson #1 (of 5)

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Lobster Johnson #1 (of 5)
Writer: Mike Mignola
Art : Jason Armstrong

Before I picked this up, I knew nothing of Lobster Johnson...now....well...after reading this issue I am gonna hunt me down some Hellboy issues. The story and art within this title are both top notch and hit all the right notes with this first issue.

Mignola's sometimes gritty writing style plays up well against the initial 1930s backdrop for the story. A random man in an experimental suit is being hunted by pretty much everyone from the start. Lobster takes this Mr. Sacks under his wing, protecting him from monsters, mobsters, nazis, and every other form of bad guy you can think of. Eventually you are drawn more and more into the story as Sacks (the guy in the suit) starts to show what the suit, he is in, can really do. I won't go into the abilities of the suit too much other then to say..he's sort of a big-ass bug zapper you don't wanna piss off. As the story progresses further you learn Sacks is just an assistant who escaped before the suit's inventor and daughter were captured by a group of warriors. Through a clue later on Lobster learns these warriors to be a tribe of fighters who fought for Genghis Khan long ago but had since disappeared after Khan's death. In a roundabout way, I think the suit and all of this may lead to some plot they have to ressurect Genghis Khan....I could be wrong though. There are other high points in this story but, I don't wanna ruin the whole thing for you. Needless to say asskicking occurs throughout this story and it's goood.

Jason Armstrong's art for this issue fit everything well, as the style closely matches Mignola's dirty/gritty style and follows along the lines of traditional artwork from past Mignola projects as well. Lots of shadows are used to great effect in evoking a sense of dread within the reader. Nothing is safe, nothing is normal, everything is chaotic, that's the general feel your gonna get at times by Armstrong's art.

So, for those that have not yet picked this weird little title out, go pick it up, try something different. Come on, it's a guy named Lobster Johnson who is a pulp 30s vigilante/detective that beats up Nazis and monsters....do you really need anymore of a reason!! For those still unconvinced I give you a preview. Now go buy it already! A+


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This page is a archive of entries in the Dark Horse category from September 2007.

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