Marvel: August 2007 Archives

The Last Fantastic Four Story

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LastFF.jpgWriter: Stan Lee
Artist: John Romita JR & Scott Hanna

This last Fantastic Four story, certainly isn't the best.  'Nuff said. 

 

 

 

 

Did I have you there for a second there?  No?  Maybe? Anyway.  The story deals with the Cosmic Tribunal deciding that Earth is not worth having in the universe, so they dispatch an agent to tell the Earth that they have a week before it is destroyed.  The FF must stop them, and while Reed calls the Silver Surfer and eventually, Galactus, the rest of the Marvel Universe tries their hand at stopping this agent.  This isn't the last Fantastic Four story because they fail or die, but it's the last because they decide to retire, based on the fact that they can never top themselves, and people will never fully remember all that they have done for them and that they can't make enough money off T-shirts and toys.  Yeah.  Not the best FF ever.

And it's hard to call this an FF story because they don't do much in this book.  Sure the Thing clobbers and Johnny fire-blasts in pages and pages of the book, but Reed and Sue just stand around gawking.  The Avengers, Namor, the Inhumans, and Doctor Doom, do more to stop the threat than the FF do.  Reed doesn't even come up with some amazing scientific way of stopping this threat, he just uses his connections.  That's not much a send off to Reed.  This week's regular FF book has better Reed moments than this book.  

John Romita Jr.  does a great job on the art, when doesn't he?  And draws pretty much everyone in the Marvel U.  Morry Hollowell colors the book, and I still have the same complaint that I do when he colored JRJR in the Fallen Son: Captain America issue.  He colors everything the same as when he's working with McNiven.  Yes, Hollowell is a great colorist, one of the best, but he needs to adjust his style when not working with a hyper-detailed or realistic artist like Steve McNiven.  JRJR doesn't need all the detail in his colors that McNiven does.  JRJR needs a flatter palatte.  I don't need to see the soft fleshy undertones of JRJR's Reed Richards.  That's probably the biggest thing that bugged me about the art, is that if you laid this book next to Civil War and looked at them from about 5 feet away, you wouldn't be able to tell which book was which until you looked at the linework.  This issue really isn't worth buying, but when are you going to be able to say that you bought a Stan Lee FF story off the shelf?  Other than that, there's no need to get this issue.  Go get Fantastic Four #543 (the 45th anniversary issue) and read the Stan Lee story in there where the FF try to avoid the annoying Stan Lee, that was leagues better than this.  D

 

Wolverine #56

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Wolverine56.jpgWriter: Jason Aaron
Artist: Howard Chaykin

Like most other Wolverine solo issues in the past 2 years, this one is awesome.  The best part about these stories is that while they appear in the Wolverine book, they don't feature Wolverine very prominently.  This issue's plot is fairly simple.  It features a naked Wolverine in a pit getting pumped with lead every ten minutes.  The story is about a man named Wendell, who does the shooting of Wolverine.  After six weeks, Wolverine starts talking to the guy and gets under his skin.  Wolverine knows a lot about Wendell, and keeps asking him about hit relationship with his father, his abuse, and his crappy life that he leads now.  Wendell's job is to show up at 8am everyday and shoot Wolverine, for no apparent reason.  There are a lot of soldiers guarding the place who take no notice of Wendell, and the secretary of the joint ignores Wendell as he looks lustfully at her every day.  Once Wolverine gets under Wendell's skin, Wendell goes on a journey to find himself, and correct his familial issues, in a rather direct way.

After the abysmal and pointless storyarc by Jeph Loeb the last 6 issues, I was going to drop this book.  I jumped on it for Civil War and Humberto Ramos, and ended up staying on after that, hoping that Loeb would bring something cool to the table.  I grabbed this issue, hoping that like the other one-shots, it would be good, and I was correct.  Jason Aaron writes a good tale, and if Wolverine was in a pit being shot at for 10 issues in a row talking to his shooters, we might have a better series.  I'm still considering dropping the book, but I think I'll see what Marc Guggenheim has in store next issue.  I enjoyed what he did with the Civil War tie-ins, and his Flash run, so I'll give his return to the book a shot.  When I was first exposed to Howard Chaykin in New Avengers last year, I was unimpressed, but his style really works here.  I think Chaykin is staying on for Guggenheim's run so I'm looking forward to that as well.  His Wolverine is good, similar to Darick Robertson's, but I might give him a shot on New Avengers and put Yu back on Wolverine.  Like Superman this week, this is an oversized book worth the $3.99.  You won't be dissapointed.  B+

Amazing Spider-Man #543

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103288_20070822150149_large.jpg

Writer: J. Michael Straczynski
Artists: Ron Garney & Bill Reinhold

After reading Spider-Ben's review of Ultimate Spider-Man this week, I will try not to bash this book as much as he did (even though he gave it a B-) but I might not suceed.  After last issue's stunning fight between Peter Parker and the Kingpin, all we have left is the resolution to Aunt May being shot 5 issues ago.  Don't let the cover fool you, we don't get resolution, all we get is Peter Parker at his lowest point in his life, ready for One More Day to undo it all. 

The whole issue deals with Aunt May's condition.  It's not getting any better and Peter doesn't know what to do.  His cash is running out and the hospital is asking questions.  My main issues with this book have to do with the actions Peter takes.  JMS turns him into a criminal, a felon.  We know Spider-Man was a felon before, since he has not registered, but he makes Peter Parker a felon, not Spider-Man.  A cop comes to the hospital to investigate this "gunshot wound" since the hospital has to file a report with every gunshot wound they recieve.  The cop is investigating since there is no police report for this May Reilly/Fitzgerald gunshot wound.  The cop talks to the nurse, who spins this elaborate but probable yarn about what she thinks happened to Aunt May.  The cop acts like he believes this crappy nurse story, and goes to the hospital room.  What happened next is what angered me about the issue.  Peter Parker assaults the officer, ties him up, steals an ambulance, and forges  hospital papers to move May to another hospital.  What the hell JMS?  Why can't Peter take responsibility for his actions?  Isn't that Spider-Man's mantra?  I know this is all set up for the great undo of One More Day, so that Peter will be so down and out that he'd be willing to change it all (or so they'd have us believe).  Spider-Man could have intervened with the cop, and surely if he told the truth that this was Spider-Man's Aunt, they would've still taken care of her.  I know that MJ would have been arrested for aiding and abetting a felon, but May would at least be safe and being taken care of.  JMS makes Peter take these criminal actions, to say, things will never be the same again, etc. etc. But we already know they will be because of all the One More Day hype.  If One More Day were a secret until this issue came out, then the story might have more weight to it, but with all the hype around the next issues, this issue just falls flat.  It was a great storyarc until this point, when it became set-up for Joe Quesada. D

I still think that the undo-ing of the Peter/MJ marriage is a ruse, just like killing Speedball was...


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About this Archive

This page is a archive of entries in the Marvel category from August 2007.

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